Dangerous Music Convert-8
DEDICATED MULTI-CHANNEL DIGITAL-TO-ANALOG CONVERSION
Whether you’re tracking, mixing or mastering, the CONVERT-8 will deliver powerful low-end, articulate mids and transcendent highs to every channel in your analog rig. Patched into one of our award-winning analog summing units like the 2-BUS+ or the D-BOX – or to your favorite analog console – the CONVERT-8 will empower you to create the spacious, three-dimensional soundscapes that only real analog summing can deliver. Compatible with all of today’s digital signals (including the ubiquitous ADAT format) the CONVERT-8 is ready to take on any mixing or monitoring job from standard stereo and 2.1 to 5.1 and the increasingly popular 7.1 surround format. Recognizing the needs of those who don’t need more analog inputs, the CONVERT-8 brings today’s very best digital-to-analog conversion within reach of any studio.
OUR NEXT-GENERATION CONVERTERS
Dangerous has been building award-winning, standard-setting converters since 2002 when the Dangerous Monitor’s onboard digital-to-analog converter swiftly became the industry reference. We’ve been asked over the years to build a stand alone DAC, and they’re finally here in the CONVERT series. Eager to embrace the opportunity to develop a new and better DAC, we designed the CONVERT-8 from the ground up, utilizing cutting-edge digital technology coupled to a Chris Muth designed analog circuit that delivers our signature sound: open, articulate and powerful from top to bottom. As a dedicated digital-to-analog converter, The CONVERT-8 has been optimized for the job of delivering stunning sound when mixing, mastering and monitoring while tracking. The CONVERT-8 goes beyond transparency: you won’t just hear everything, you’ll hear it beautifully.
IT’S ALL ABOUT IMPLEMENTATION
While in theory most converters should be the same, among those who truly understand this hotly debated and endlessly researched area of audio technology, the mantra is implementation, implementation, implementation. How a converter’s components are selected, tweaked and assembled according to a specific design, and then tuned for superior performance within that plan is what sets a converter apart – for better or worse. The Dangerous CONVERT-8 has been developed by a team of experts with deep, up-to-the-minute knowledge of digital and analog converter technology.
FINE TUNING THE ANALOG SIDE
A legend among mixing and mastering engineers for decades, Chris Muth has designed the analog gear used to mix and master an endless list of hit records and classic reissues. Chris’s powerful, articulate, hi-fi designs dominated the big studios in New York City since the 1980s, and via Dangerous his designs have become essential components in the best modern mixing and mastering DAW-based studios. When we set out to develop a new dedicated stereo D-A converter, Chris brought his relentless design philosophy and world-renowned sound to the CONVERT’s analog technology. Not only did he develop the audiophile-grade analog audio path, Chris also meticulously fine tuned the low-pass reconstruction filters mandatory to implementing any DAC. These filters lie at the heart of how a converter will perform, and the CONVERT series has the jaws of top pros hitting the floor when they hear the big natural sound and the powerful, ultra-clear low-end.
PERFECTING THE DIGITAL SIDE
We brought in digital guru Paul Messick to make sure the digital side of the CONVERT series would sing in perfect harmony with its finely tuned analog circuit. Paul rigorously refined the CONVERT’s JetPLL ultra-low jitter clocking technology until it surpassed the JET’s stated specs, resulting in the virtual elimination of jitter in the audio-band and beyond. Gone are the sonic headaches and end-of-day fatigue brought on by long-term exposure to jittery digital audio systems. The CONVERT-8’s superbly implemented digital technology delivers such a natural, open and non-irritating sound that you’ll forget you’re even listening to converted 0s and 1s.
DETAILED INFORMATION & DELIGHTFUL INSPIRATION
Reaching beyond transparency and accuracy, the sound of the CONVERT-8 is so open and 3-dimensional that many are saying that these are the most beautiful, natural sounding converters they’ve ever heard. Whether your focus is tracking, mixing or mastering, when you choose a dedicated DAC, you’re choosing the unit you’ll trust to make all your judgements. You need your DAC to be honest, but you also need it to sound beautiful. With the CONVERT you get the uncanny combination of detailed information and delightful inspiration. Coupled with any of our analog summing mixers – or with your favorite console – the CONVERT-8 not only assures that you’ll hear the best sound possible, but you’ll be printing that amazing sound into your final prints.
YOUR NEW MASTER CLOCK
It’s no secret that many digital audio systems are slaved to the best sounding clock in the rack, and The CONVERT’s customized JetPLL ultra-low jitter technology is winning shootouts again and again – subsequently sending expensive external clocks into retirement. Simply use the Word Clock output and set the CONVERT into Master mode from the front panel, and all the digital gear in your studio can benefit from The CONVERT’s cutting-edge Jitter Elimination Technology (JET).
Our design philosophy includes a strict demand that our equipment be elegant and easy to use, and the CONVERT-8 exemplifies that philosophy. No menus, no cryptic multi-finger combinations to remember – just clearly labeled single-function buttons.
Instant Input Calibration – With industry-standard reference levels of -14, -16 and -18dBFS, you can recalibrate the CONVERT-8 with the push of a button. While many professional converters are only aligned at the factory, the Convert lets you move flexibly between different reference levels on the fly. Anyone who’s ever fumbled around behind a rack with a “tweeker tool” while a second person watches an external meter knows the special value of our front-panel calibration buttons, especially when there’s eight channels or more!
Automatic Sample Rate Detection – Simply select “Auto” on the front panel and the CONVERT-8 will match its sample rate to the input signal. If you’ve ever started working at the wrong sample rate (we’ve all done it!), you’ll know why this feature can be so important. If you’re swapping among different DAW sessions at different sample rates, the CONVERT will follow your every move.
On The Fly Input Switching – Unique to the CONVERT series, you can now swap between multiple digital inputs on the fly from the front panel buttons. No more digging into elaborate menus and system settings just to listen to iTunes, no more rerouting software drivers just to hear a different output. And because the CONVERT can automatically lock to the incoming signal’s sample rate, you don’t need to even think about sample rates as you switch between inputs. Four digital inputs include USB, AES/SPDIF, ADAT and Optical SPDIF (TOSLINK).
Essential 8-Channel Metering – Aside from giving you instant visual confirmation of audio signal present across all eight channels, our “3-word-over” indicator tells you when three consecutive samples have clipped, meaning you’re a breath away from violating industry standards for CD reproduction and are about to generate clipping distortion that would be audible in any digital file.
Monitor ST Remote Connectivity – Simply hook up our award-winning Monitor ST/SR Remote to the rear panel ports and you’ve got best-in-class desktop remote control over the CONVERT’s front panel input selectors. Add the CONVERT-8 to your existing Monitor ST/SR rig to seamlessly add today’s best DAC to your surround monitoring system.
If you’re ready to add the world’s most articulate, open and natural sounding conversion to your studio, The CONVERT-8 will deliver the beautiful truth of all your digital signals into the analog realm without ever tiring you out. Contact a dealer to hear the difference and we’re pretty sure you’ll become a CONVERT.
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We can ship worldwide but our online store is configured to only handle orders to Europe (Austria, Belgium, Bulgaria, Croatia, Cyprus, Czech Republic, Denmark, Estonia, Finland, France, Germany, Greece, Hungary, Iceland, Ireland, Italy, Latvia, Lithuania, Liechtenstein, Luxembourg, Malta, Netherlands, Norway, Poland, Romania, Slovakia, Slovenia, Spain, Sweden, Switzerland, United Kingdom). If you want us to ship to a country outside this list just get and touch with us so we can quote you and let you know how much it would be to fulfil such order.
We have access to all the products of the brands we represent, however not all of them are listed. Please get in touch and let us know what you’re looking for, we can pretty much guarantee the best price in Europe.
We use UPS so you can expect 1 - 3 business days to get it after we ship (1-2 days if we’re shipping to continental Portugal). If the item you bought is in stock, we usually ship the same day (for orders placed until 11AM) or the next day at the latest. If we’re out of stock, we can usually get the products in 2-5 working days. Please get in touch if you have a specific deadline you have to meet before ordering. In some cases we can ship a demo unit to get you to work if the manufacturer has a longer lead time.
Bank transfer is preferred, but we take all major credit cards, PayPal, or cash if you’re picking up the gear at our shop. We don’t accept debit cards or checks at the moment.
If you’re looking for financing for your purchase get in touch as we might be able to help you with that.
According to EU law, we accept returns for all the products purchased through our online store during the next 14 days after receiving the goods, provided that the packaging is in it’s original condition. If this is not the case, we reserve the right to refuse the return or charge a re-stocking fee.
All returns need to be pre-approved by us and must be complete including accessories and documentation with original packaging.
You are responsible for return shipping costs including shipping insurance which is recommended to protect your items, as you are liable for items damaged during return shipment. Additionally, if you received free shipping on the order when we fulfilled it, we will be deducting the value of this shipping cost from your refund/discount.
We do not accept returns of the following goods: (1) Software and computers; (2) All custom or special order items; (3) Magnetic tape or other recording medium; (4) Personal use items, such as headphones or windscreens; (5) Studio furniture, racks and chairs.
After inspection of the returned goods, and providing that they meet the conditions stated above, we will issue a refund or give you credit for another purchase.
Everything we sell is covered by the manufacture's warranty, which is a least 1 year. Special conditions may apply.
Yes, we do. Please contact us to know if the software you’re looking for has an Education licence available.
We don’t through this website, but please check our Reverb store. There you can find B-Stock and Ex-Demo gear, as well as other stuff (used and new) from brands we don’t usually represent.
At Arda we try to work with only the best brands in the business, because we know how important is reliability in a professional environment. That being said, sometimes shit happens. If you run into some issue with anything you bought from us, please get in touch and we’ll try our best to take care of it ASAP. We might even be able to provide you with some sort of replacement gear in order to minimize downtime.