Dangerous Music Compressor
AT WAR WITH THE LOUDNESS WAR
We’re not going to hide our intentions: when we set out to design The Dangerous COMPRESSOR, we spent over two years figuring out how to achieve modern levels of limiting and compression while avoiding the deadening effects of today’s ultra-limited productions. We make gear that helps you deliver the impact, punch and clarity that brings music to life, and when it comes to compression and limiting our answer was not to avoid it like some purists might, but to deliver an audiophile-grade tool that provides powerful compression and limiting without robbing the music of its lifeforce. The Dangerous COMPRESSOR points the way to the future of dynamics.
Compressors fall into two basic categories: so-called “color boxes” capable of drastically changing sound, of which there are hundreds available, and the much more difficult to design “transparent units” that control dynamics without introducing obvious sonic artifacts. The Dangerous COMPRESSOR is decidedly in the latter category, delivering crystal clear compression that allows you to easily alter and control dynamics without drastically changing the original sound. But don’t let the word ‘transparency’ trick you into thinking The COMPRESSOR doesn’t sound beautiful – like all Dangerous gear, the low end is big and powerful, the mids maintain texture and detail, and the top-end is open and deeply engaging, even during very active gain reduction. This level of open musicality is unique even among the small field of transparent compressors, putting The COMPRESSOR in a class of its own where sounding transparent and beautiful is no longer a paradox.
Because The Dangerous COMPRESSOR is so transparent and simple to operate, it can handle a wide range of tasks often left to automation and eq during tracking, mixing and mastering. Few compressors are as versatile. Tedious vocal level rides can be handed over to The Dangerous COMPRESSOR’s VCA as if it were a trusted assistant intuitively riding a fader. Use the internal sidechain EQ curves to tame a sibilant vocal or to let deep bass punch through untouched, or both simultaneously. Effortlessly peak-limit a master in the analog realm and dispense with your digital limiter using the unique Smart Dynamics feature. Patch an eq into the external side chain for dynamic eq across the midrange, or use the two channels as independent mono units, or in series to achieve ultra-transparent “cascaded compression.” Beyond versatility, The Dangerous COMPRESSOR invites you to creatively solve sonic problems without worrying about unwanted sonic artifacts.
A NO COMPROMISE DESIGN WITH UNIQUE FEATURES
Hand assembled in the USA, at the heart of The Dangerous COMPRESSOR is a unique and unparalleled audiophile-grade circuit by legendary designer Chris Muth. In typical Dangerous fashion, nothing is sacrificed, and The COMPRESSOR delivers intelligent, innovative, easy-to-use features with unsurpassed sound.
Dual Detectors – The COMPRESSOR utilizes two totally independent RMS detectors with a nuanced and sophisticated circuit that governs how the left and right channels work together in stereo. This allows The COMPRESSOR to deliver crystal clear and rock solid stereo imaging when processing a full mix, a drum buss, a finished master or any stereo material. What’s more, you can use each channel as an independent mono compressor – great on kick and snare, for example – or you can “cascade” the two channels into each other for ultra-transparent compression with peak limiting – a great technique for automatically riding a vocal, a spiky lead instrument, or anywhere that powerful and transparent control is needed.
Smart Dynamics – By engaging “SmartDyn,” you turn on The COMPRESSOR’s unique “dual slope” detector circuits, allowing you to control fast transient peaks without causing average volume levels to drop. This lets you maintain higher average volume levels while avoiding the pumping artifacts commonly incurred when pushing toward the expectations of modern loudness. Smart Dynamics is equally helpful when tracking a dynamic singer or mixing a snappy drum kit, and most users end up leaving the “SmartDyn” button engaged at all times. With its dual detector working in conjunction with Smart Dynamics, The COMPRESSOR’s circuit design is so agile that it seems to possess artificial intelligence.
Auto Attack & Release – And if it wasn’t already easy enough to get powerful and transparent compression, The COMPRESSOR also includes an automatic attack and release setting that allows you dial in your sound simply using the threshold and make-up gain knobs. If you need more precise settings for attack and release, simply press the “Manual Att/Rel” button and start tweaking.
On-Board Side Chain Filters – The COMPRESSOR includes two audiophile-grade side-chain EQs that you can turn on and off at the push of a button…no complex patching necessary. Bass Cut turns down low-end below 60Hz, assuring that the detector is not overreacting to low-end content or “breathing” along with the beat. The Sibilance Boost utilizes the BAX EQ’s ultra-linear high-end shelf to push more treble content into the detector, which causes The COMPRESSOR to dynamically attenuate sibilance and other unwanted spikes of high-end like harsh cymbals or erratic acoustic guitar strums – great on vocals during tracking or mixing, or on a whole mix during mastering.
VU and LED Metering – The dual VU meters can show you gain reduction, input or output levels. There is a -6dB offset button so that loud material is always hovering in a usable range, perfect for visually monitoring average levels. What VUs can’t show you are the fast transient leaps past threshold, and that’s where the dual LED meters come in. Together, the VU and LED meters provide two important insights into the nuanced inner workings of The COMPRESSOR in action.
Audiophile Components Throughout – Chris Muth’s fastidious designs call for only the highest quality components in areas of the circuit that don’t even pass audio. Detector and control voltage circuits (which lie at the heart of any compressor but are not in the audio path) are often built from substandard components in order to cut costs. However, these detector components have a major impact on how any compressor performs, especially with the high standards we set for achieving the nuanced and intelligent compression you’ll get out of The COMPRESSOR.
COMBINE TO TASTE
Whether you’re tracking, mixing or mastering, The Dangerous COMPRESSOR works beautifully with vintage analog gear or patched into today’s cutting-edge digital systems, allowing you to achieve truly modern levels without the undesired artifacts that plague so many modern productions. Combine it with our ultra-transparent BAX EQ for one of the most open EQ/Compressor combinations possible, perfect for mastering or mixing. Place The Dangerous COMPRESSOR after any “color box” — a console, a vintage tube compressor, a funky EQ, or all three together — and you can dial in the exact dynamics you want without having to rely on the often unruly controls of yesteryear’s gear.
THE WORLD’S MOST INTELLIGENT ANALOG COMPRESSOR
With its sophisticated dual detector circuit, unique Smart Dynamics section, automatic attack and release function, unmatched versatility and incredibly transparent, audiophile-grade sound, The COMPRESSOR from Dangerous Music is today’s most intelligent analog compressor. Taking modern loudness seriously while prioritizing clear, open sound, The COMPRESSOR is pioneering a new and innovative approach to modern compression for today’s most discriminating tracking, mixing and mastering engineers.
- Elegant, easy-to-use design with an uncompromising audio circuit by legendary designer Chris Muth.
- Unique Smart Dynamics dual-slope detector handles transient peaks without ducking the average level, making modern compression levels easier to achieve and totally transparent.
- Auto Attack/Release – achieve excellent results with just the threshold and makeup gain settings.
- Two audiophile-grade internal sidechain eq settings.
- Hard and soft knee slope selection.
- External sidechain routing.
- Audiophile-grade VCAs for controlling levels without artifacts.
- Stepped ratio settings from 1:1 to 20:1.
- Multiple meter modes.
All prices on our website include 23% Portuguese VAT and are also displayed VAT free. If you’re buying from outside of Portugal and have a VAT registered business within the EU, you can buy directly on our store without VAT. Just add the product to your cart and go to the checkout page and there will be an option for you to enter and validate your VAT ID. If it's accepted through our system your order will be completed and fulfilled without VAT. Please note, if you use an express checkout or buy it now button the option to buy without VAT isn't available, you need to add the product to cart first and use the standard checkout procedure.
We can ship worldwide but our online store is configured to only handle orders to Europe (Austria, Belgium, Bulgaria, Croatia, Cyprus, Czech Republic, Denmark, Estonia, Finland, France, Germany, Greece, Hungary, Iceland, Ireland, Italy, Latvia, Lithuania, Liechtenstein, Luxembourg, Malta, Netherlands, Norway, Poland, Romania, Slovakia, Slovenia, Spain, Sweden, Switzerland, United Kingdom). If you want us to ship to a country outside this list just get and touch with us so we can quote you and let you know how much it would be to fulfil such order.
We have access to all the products of the brands we represent, however not all of them are listed. Please get in touch and let us know what you’re looking for, we can pretty much guarantee the best price in Europe.
We use UPS so you can expect 1 - 3 business days to get it after we ship (1-2 days if we’re shipping to continental Portugal). If the item you bought is in stock, we usually ship the same day (for orders placed until 11AM) or the next day at the latest. If we’re out of stock, we can usually get the products in 2-5 working days. Please get in touch if you have a specific deadline you have to meet before ordering. In some cases we can ship a demo unit to get you to work if the manufacturer has a longer lead time.
Bank transfer is preferred, but we take all major credit cards, PayPal, or cash if you’re picking up the gear at our shop. We don’t accept debit cards or checks at the moment.
If you’re looking for financing for your purchase get in touch as we might be able to help you with that.
According to EU law, we accept returns for all the products purchased through our online store during the next 14 days after receiving the goods, provided that the packaging is in it’s original condition. If this is not the case, we reserve the right to refuse the return or charge a re-stocking fee.
All returns need to be pre-approved by us and must be complete including accessories and documentation with original packaging.
You are responsible for return shipping costs including shipping insurance which is recommended to protect your items, as you are liable for items damaged during return shipment. Additionally, if you received free shipping on the order when we fulfilled it, we will be deducting the value of this shipping cost from your refund/discount.
We do not accept returns of the following goods: (1) Software and computers; (2) All custom or special order items; (3) Magnetic tape or other recording medium; (4) Personal use items, such as headphones or windscreens; (5) Studio furniture, racks and chairs.
After inspection of the returned goods, and providing that they meet the conditions stated above, we will issue a refund or give you credit for another purchase.
Everything we sell is covered by the manufacture's warranty, which is a least 1 year. Special conditions may apply.
Yes, we do. Please contact us to know if the software you’re looking for has an Education licence available.
We don’t through this website, but please check our Reverb store. There you can find B-Stock and Ex-Demo gear, as well as other stuff (used and new) from brands we don’t usually represent.
At Arda we try to work with only the best brands in the business, because we know how important is reliability in a professional environment. That being said, sometimes shit happens. If you run into some issue with anything you bought from us, please get in touch and we’ll try our best to take care of it ASAP. We might even be able to provide you with some sort of replacement gear in order to minimize downtime.