{"title":"_pricehidden","description":"","products":[{"product_id":"dynaudio-core-59","title":"Dynaudio Core 59","description":"\u003cp\u003eCore 59 – the flagship of our high-end professional reference monitor series – is that monitor. This three-way speaker features uncompromising class-D amplification, cutting-edge digital signal processing, a super-inert 32mm-thick baffle and a flat bass response down to 36Hz at -6dB.\u003c\/p\u003e\n\u003cp\u003eIt’s a serious system designed for serious audio professionals. Core 59 has been made for the highest-demand environments that recording engineers, mixers, producers, and editors work in – and has been specifically designed to solve many of the monitoring issues that career professionals face every day.\u003c\/p\u003e\n\u003cp\u003eWhen we revolutionised studio monitoring with the AIR series, we also revolutionised speaker positioning. Literally. AIR made it possible to use a three-way speaker in multiple orientations without compromising the midrange driver and tweeter’s phase response by using sealed midrange and tweeter assemblies that can be rotated in the cabinet.\u003c\/p\u003e\n\u003cp\u003eCore 59’s Orbit baffle rotates too, so you can use it in left, right, or centre-channel orientation. You can even position the woofer above the tweeter\/midrange assembly to accommodate placement in front of a console in an LCR array.\u003c\/p\u003e\n\u003cp\u003eWe’ve designed Core 59 for you. We’ve designed it to be used however and wherever you need it – whether that’s for near-field, mid-field or main monitoring, or in soffit-mounted set-ups. It’s made for music mastering, mixing, and recording; theatrical re-mixing; editorial and sound design for games or anywhere else you need an uncompromising critical monitoring system.\u003c\/p\u003e\n\u003cp\u003eCore 59 is ready to be installed in high-SPL immersive audio and other multi-channel environments with both analogue and digital connectivity, DSP controlled acoustic response, and versatile positioning. That means complete tonal consistency whatever your monitoring needs.\u003c\/p\u003e\n\u003cp\u003eIt really does give you everything you need to hear.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures \u0026amp; Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTweeter: 1in\u003c\/li\u003e\n\u003cli\u003eMidrange: 5in\u003c\/li\u003e\n\u003cli\u003eWoofer: 9in\u003c\/li\u003e\n\u003cli\u003eInputs: Analogue and AES3 digital inputs\u003c\/li\u003e\n\u003cli\u003eMaximum 24-bit\/192 kHz: Depending on input signal\u003c\/li\u003e\n\u003cli\u003eMaximum SPL: 112 dB @ 1 m anechoic, 118 dB half space\u003c\/li\u003e\n\u003cli\u003eCrossover frequency: 385 Hz (LF\/MF) \/ 5000 Hz (MF\/HF)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eFrequency response: 36 Hz – 31 kHz -6 dB\u003c\/li\u003e\n\u003cli\u003eFrequency response: 42 Hz – 27 kHz +\/- 3 dB\u003c\/li\u003e\n\u003cli\u003ePrinciple: Front-loaded bass reflex\u003c\/li\u003e\n\u003cli\u003eAmplifiers: Pascal Class-D. HF 150 W \/ MR 500 W \/ LF 500 W\u003c\/li\u003e\n\u003cli\u003eDimensions (WxDxH): 280 x 380 x 550 mm (11 x 15 x 21 11\/16in)\u003c\/li\u003e\n\u003cli\u003eWeight: 24.6 kg (54.2 lb)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dynaudio","offers":[{"title":"Single","offer_id":39918637383774,"sku":"","price":2895.0,"currency_code":"EUR","in_stock":true},{"title":"Pair","offer_id":39918637416542,"sku":"","price":5790.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8134\/1022\/products\/dynaudio_core_59_1.jpg?v=1600153729"},{"product_id":"barefoot-sound-microsub45","title":"Barefoot Sound MicroSub45 (Pair)","description":"\u003cp\u003eAdd depth, power and headroom to each of your MicroMain45 monitors with Barefoot Sound’s MicroSub45 subwoofers. Designed specifically to complement the MicroMain45, the MicroSub45 features Barefoot’s innovative Dual-Force technology, with each cabinet housing a pair of opposing 8-inch woofers plus a balanced analog high-pass filter.\u003c\/p\u003e\n\u003cp\u003eThe MicroMain45 combines the same signal path, amplifier and driver technologies as our flagship MiniMain12 and has become a firm favorite with many engineers and musicians. But for Barefoot Sound to create a compact and affordable package while still delivering the company’s renowned resolution and translation the MicroMain45 is the only 3-way reference monitor in the product line that does not include Dual-Force technology. Now, the introduction of Barefoot Sound’s MicroSub45 subwoofers offers current MicroMain45 users and prospective owners an upgrade path.\u003c\/p\u003e\n\u003cp\u003eDual-Force, a core Barefoot technology, eliminates vibration within the MicroSub45 speaker cabinet, delivering clean low frequency extension down to 25 Hz when added to each MicroMain45. Plus, because each 500W MicroSub45 reproduces everything below 80 Hz, adding a pair to a stereo set of MicroMain45 monitors also increases the headroom of the entire system.\u003c\/p\u003e\n\u003cp\u003eMicroMain45 monitors and MicroSub45 subwoofers are also available as a package — the stereo MicroStack45 system.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures \u0026amp; Specs\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDescription: Dual-Force™ Subwoofers\u003c\/li\u003e\n\u003cli\u003eBass Response: -3 dB @ 25Hz, Q = 0.707 | Slope = 12 dB\/octave\u003c\/li\u003e\n\u003cli\u003eCabinet: 18 liters total internal volume, Sealed woofer and midrange enclosures, Machined aluminum baffle plate, Long fiber wool acoustic damping throughout\u003c\/li\u003e\n\u003cli\u003eCrossover Frequency: 80 Hz\u003c\/li\u003e\n\u003cli\u003eSubwoofers: Dual 8″ aluminum cone with high linearity motor, +\/- 13 mm linear excursion\u003c\/li\u003e\n\u003cli\u003eAmplifier: 500W in each cabinet\u003c\/li\u003e\n\u003cli\u003eAC Power Input: 85 VAC to 265 VAC\u003c\/li\u003e\n\u003cli\u003ePower Consumption: Idle: 5W, Maximum: 765W\u003c\/li\u003e\n\u003cli\u003eWeight: Speaker: 45 lbs each (20.5 kg)\u003c\/li\u003e\n\u003cli\u003eShipping: 54.5 lbs each (25 kg)\u003c\/li\u003e\n\u003cli\u003eDimensions HxWxD: Cabinet: 14.0 x 9.5 x 13.0 inches (356 x 241 x 330 mm)\u003c\/li\u003e\n\u003cli\u003eOverall: 14.0 x 10.25 x 13.6 inches (356 x 260 x 345 mm)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Barefoot Sound","offers":[{"title":"Default Title","offer_id":31819077746782,"sku":"","price":6645.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8134\/1022\/products\/barefoot_microsub_45.jpg?v=1600153497"},{"product_id":"barefoot-sound-micromain45","title":"Barefoot Sound MicroMain45 (Pair)","description":"\u003cp\u003eAs a 3-way active monitor, the Barefoot MicroMain45 utilizes the same amplifier, signal path and driver technology of the MiniMain12. Downsizing the hefty 130+ lbs size of the original to a tight 35+ lbs package, the MicroMain45 features an 8” aluminum woofer, two x 2.5” aluminum midranges and a 1” tweeter. With a bass response of -3dB @ 40Hz, frequency response of 40Hz – 45 kHz (±3dB) and 53Hz – 40kHz (±1dB), this is the sound that Barefoot enthusiasts have come to know and love.\u003c\/p\u003e\n\u003cp\u003eFounded on the idea of creating a new type of audio monitor, Barefoot Sound was started by Thomas Barefoot to meet the growing needs of small to mid-sized project studios. By offering well-designed monitors that could take the space of several sets of speakers, audio enthusiasts are able to have more room for other types of gear, while still having an impeccable monitoring system. The Barefoot Sound MM45 monitors follow in this lineage of incredible speakers like the MicroMain27 and MicroMain35.\u003c\/p\u003e\n\u003cp\u003eMEME™ Technology: Despite the advantages of high resolution monitors, Thomas Barefoot realizes that many engineers still use their NS10M’s † and mix cubes as secondary references. These speakers have long traditions and people find them familiar and useful for focusing in on certain aspects of their mix. However, crowding one’s console with those extra boxes degrades the sound field of the primary reference monitors. Not to mention, they are no longer manufactured, they need amplifiers, cable runs, and they consume more studio space. The solution is to make the MM45 sound and translate like those speakers. With the turn of a knob one can switch from the MicroMain45′s brutally revealing “Flat” response to the warmer and sweeter “Hi-Fi” setting, generically emulating the sound of some high end consumer audio gear. More specifically the “Old School” setting closely emulates the sound of the NS10M nearfield, while the “Cube” setting emulates the mid-centric sound of classic mix cubes The idea is not to perfectly replicate every subtle quirk of these venerable old speakers. That would be impossible. But the MM45 can capture the essence of how they behave and translate, modeling their frequency, phase and transient responses, dynamic compression and even specific distortion components. If you know how to work on these speakers you will feel very comfortable working on the new MM45′s emulation settings.\u003c\/p\u003e\n\u003cstrong\u003eFeatures \u0026amp; Specs:\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eDescription: 3-way active monitor\u003c\/li\u003e\n\u003cli\u003eControls: Input level stepped attenuator, Equalization contour\u003c\/li\u003e\n\u003cli\u003eInput Impedance: 50k Ohm\u003c\/li\u003e\n\u003cli\u003eFrequency Response: 40Hz – 45kHz (±3dB) | 53Hz – 40kHz (±1dB)\u003c\/li\u003e\n\u003cli\u003eBass Response: -3 dB @ 35Hz, Q = 0.707, Slope = 12 dB\/octave\u003c\/li\u003e\n\u003cli\u003eCabinet: 14 liters total internal volume, Sealed woofer and midrange enclosures, Machined aluminum baffle plate, Long fiber wool acoustic damping throughout\u003c\/li\u003e\n\u003cli\u003eCrossover Frequencies: 600 \/ 3600 Hz\u003c\/li\u003e\n\u003cli\u003eTweeter: 1″ ring radiator, Advanced geometry motor, Rear waveguide chamber\u003cbr\u003eAmplifier: 180W Hypex\u003c\/li\u003e\n\u003cli\u003eMidranges: 2 x 2.5″ aluminum cones, Advanced geometry motor, +\/- 2 mm linear excursionAmplifier: 180W Hypex\u003c\/li\u003e\n\u003cli\u003eSubwoofers: 8″ aluminum cone with high linearity motor, +\/- 13 mm linear excursion\u003cbr\u003eAmplifier: 250W Hypex\u003c\/li\u003e\n\u003cli\u003eAC Power Input: Nominal 115 VAC or 230 VAC selectable\u003c\/li\u003e\n\u003cli\u003ePower Consumption: Idle: 18W, Maximum: 400W\u003c\/li\u003e\n\u003cli\u003eWeight: Speaker: 37.5 lbs each (17 kg)\u003c\/li\u003e\n\u003cli\u003eShipping: 47 lbs each (21 kg)\u003c\/li\u003e\n\u003cli\u003eDimensions HxWxD: Cabinet: 11.0 x 15.5 x 10.75 inches (279 x 394 x 273 mm)\u003c\/li\u003e\n\u003cli\u003eOverall: 11.0 x 15.5 x 11.0 inches (279 x 394 x 279 mm)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Barefoot Sound","offers":[{"title":"Default Title","offer_id":31819112382558,"sku":"","price":8454.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8134\/1022\/products\/barefoot_sound_micromain45_1.jpg?v=1600153468"},{"product_id":"barefoot-sound-micromain27","title":"Barefoot Sound MicroMain27 (Pair)","description":"\u003cp\u003eThe MicroMain27 Gen2 is a 3.5-way active system with 5 drive units housed in sealed enclosures spanning 30Hz to 45kHz with vanishingly low distortion, breathtaking dynamic range and ultra-fast transient response. The ring radiator tweeter is incredibly detailed and produces very wide dispersion out to its highest frequencies. The new 5.25″ midbass features a phalanx of advanced technology, yielding midrange detail that rivals any driver on the planet. Barefoot has teamed up with the brilliant Bruno Putzeys of Hypex to develop the powerful and completely transparent amplifier stage of the MM27 Gen2. Melding the system together is a groundbreaking new DSP crossover that has taken Thomas Barefoot more than 4 years to develop. With beautifully designed high end converts and cutting edge proprietary filtering techniques the MM27 Gen2 sound stage is seamlessly coherent and deeply revealing.\u003c\/p\u003e\n\u003cp\u003eMEME™ Technology: Despite the advantages of high resolution monitors, Thomas Barefoot realizes that many engineers still use their NS10M’s and mix cubes as secondary references. These speakers have long traditions and people find them familiar and useful for focusing in on certain aspects of their mix. However, crowding one’s console with those extra boxes degrades the sound field of the primary reference monitors. Not to mention, they are no longer manufactured, they need amplifiers, cable runs, and they consume more studio space. The solution is to make the MM27 sound and translate like those speakers. With the turn of a knob one can switch from the MicroMain27’s brutally revealing “Flat” response to the warmer and sweeter “Hi-Fi” setting, generically emulating the sound of some high end consumer audio gear. More specifically the “Old School” setting closely emulates the sound of the NS10M nearfield, while the “Cube” setting emulates the mid-centric sound of classic mix cubes The idea is not to perfectly replicate every subtle quirk of these venerable old speakers. That would be impossible. But the MM27 Gen2 can capture the essence of how they behave and translate, modeling their frequency, phase and transient responses, dynamic compression and even specific distortion components. If you know how to work on these speakers you will feel very comfortable working on the new MM27’s emulation settings.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures \u0026amp; Specs:\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e3.5-way active studio monitor with integral subwoofers\u003c\/li\u003e\n\u003cli\u003eFour-setting DSP voice emulation\u003c\/li\u003e\n\u003cli\u003eAnalog and AES3 digital inputs\u003c\/li\u003e\n\u003cli\u003eHypex amplification\u003c\/li\u003e\n\u003cli\u003eTweeter - 1\" ring radiator with Advanced neodymium motor\u003c\/li\u003e\n\u003cli\u003eRear waveguide chamber. Amplifier: 250W Hypex\u003c\/li\u003e\n\u003cli\u003eMidbass 1 - 5.25\" poly\/paper cone with Advanced neodymium motor , with +\/- 5 mm linear excursion. Amplifier: 250W Hypex\u003c\/li\u003e\n\u003cli\u003eMidbass 2 - 5.25\" poly\/paper cone with Advanced neodymium motor, with +\/- 5 mm linear excursion. Amplifier: 250W Hypex\u003c\/li\u003e\n\u003cli\u003eSubwoofers - 2 x 10\" aluminum cone with high linearity motor, with +\/- 13 mm linear excursion. Amplifier: 500W Hypex\u003c\/li\u003e\n\u003cli\u003eCrossover Frequencies: 100 \/ 600 \/ 3000 Hz\u003c\/li\u003e\n\u003cli\u003eCabinet Dimensions: 20.5\" x 9.5\" x 15.5\"\u003c\/li\u003e\n\u003cli\u003eOverall Dimensions: 20.5\" x 10.4\" x. 17.4\"\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Barefoot Sound","offers":[{"title":"Default Title","offer_id":31819124342878,"sku":"","price":12333.33,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8134\/1022\/products\/barefoot_sound_micromain27_1.jpg?v=1600153470"},{"product_id":"barefoot-sound-micromain26","title":"Barefoot Sound MicroMain26 (Pair)","description":"\u003cp\u003eBarefoot Sound designed the MicroMain26, building upon the renowned MicroMain27 platform. With the addition of Barefoot’s incredibly transparent and detailed 2.5” aluminum cone midrange, the MicroMain26 raises performance to new heights. Delivering everything the MicroMain27 is famous for and more, the MicroMain26 is a testament to Barefoot’s commitment to excellence.\u003c\/p\u003e\n\u003cp\u003eThe MicroMain26 is a 4-way active system with 6 drive units housed in sealed enclosures spanning 30Hz to 45kHz with vanishingly low distortion, breathtaking dynamic range and ultra-fast transient response. The ring radiator tweeter is incredibly detailed and produces very wide dispersion out to its highest frequencies. The 2.5” aluminum cone midrange is housed in a cutting edge 3D printed waveguide enclosure. The 5.25″ woofers feature a phalanx of advanced technology, yielding upper bass and lower midrange detail that rivals any driver on the planet. Barefoot Sound developed a powerful and completely transparent amplifier stage for the MicroMain26. The system is melded together with a groundbreaking DSP (Digital Signal Processor) crossover that Barefoot has dedicated thousands of hours to developing. With beautifully designed high end converters and cutting edge proprietary filtering techniques the MicroMain26 sound stage is seamlessly coherent and deeply revealing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e4-way active monitor\u003c\/li\u003e\n\u003cli\u003e1180 watts of power per monitor\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eFrequency Response: 30Hz–45kHz\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMAX SPL: Continuous 119dB\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e2.5” Aluminum Cone Midrange\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eOpposing 10″ Dual-Force™ Subwoofers\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDual 5.25″ Midrange Drivers\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e1″ Ring Radiator Tweeter\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMEME™ Technology Voice Emulation\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDual-Force™ Technology\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!----\u003e","brand":"Barefoot Sound","offers":[{"title":"Default Title","offer_id":31819164909662,"sku":"","price":14326.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8134\/1022\/files\/micromain26_horizontal.jpg?v=1717576412"},{"product_id":"barefoot-sound-minimain12","title":"Barefoot Sound MiniMain12 (Pair)","description":"\u003cp\u003eThe MiniMain12 is a 4-way active system with 7 drive units housed in sealed enclosures spanning 20Hz to 40kHz with vanishingly low distortion, breathtaking dynamic range and ultra-fast transient response. Every driver has an under-hung voice coil moving inside an advanced geometry motor that enables it make extremely long linear excursions. The ring radiator tweeter is incredibly detailed and produces very wide dispersion out to its highest frequencies. The aluminum cone subwoofers, woofers and midranges radiate as perfect pistons to at least 2.5 octaves beyond their respective bandwidths. Barefoot has teamed up with the brilliant Bruno Putzeys of Hypex to develop the powerful and completely transparent amplifier stage of the MM12. Melding the system together is a groundbreaking DSP crossover that has taken Thomas Barefoot more than 4 years to develop. With beautifully designed high end converts and cutting edge proprietary filtering techniques the MiniMain12 produces such a seamless and coherent wavefront that, if you dare, you can actually listen to this speaker from less than 3 feet away with no sonic compromise. And yes, the MM12 works perfectly out to far field distances as well, producing SPLs equivalent to big mains.\u003c\/p\u003e\n\u003cp\u003eIf all this weren’t enough, the MiniMain12 brings yet another revolutionary feature into the mix – MEME™(Multi Emphasis Monitor Emulation™) technology. While no other monitor in the world can match the MM12’s linearity and transparency, the MM12 actually has the capability to emulate other speakers! Despite the advantages of high resolution monitors, Thomas Barefoot realizes that many engineers still use their NS10M’s † and mix cubes as secondary references. These speakers have long traditions and people find them familiar and useful for focusing in on certain aspects of their mix. However, crowding one’s console with those extra boxes degrades the sound field of the primary reference monitors. Not to mention, they are no longer manufactured, they need amplifiers, cable runs, and they consume more studio space. So why not make the MM12 sound and translate like those speakers as well? With the turn of a knob one can switch from the MiniMain12’s brutally revealing “Flat” response to the warmer and sweeter “Hi-Fi” setting, generically emulating the sound of some high end consumer audio gear. More specifically the “Old School” setting closely emulates the sound of the NS10M nearfield, while the “Cube” setting emulates the mid-centric sound of classic mix cubes The idea is not to perfectly replicate every subtle quirk of these venerable old speakers. That would be impossible. But the MiniMain12 can capture the essence of how they behave and translate, modeling their frequency, phase and transient responses, dynamic compression and even some of their distortion components. If you know how to work on these speaker you will feel very comfortable working on the MM12’s emulation settings.\u003c\/p\u003e\n\u003cp\u003eSo there you have it: The Barefoot Sound MiniMain12, a monitor like no other.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures \u0026amp; Specs\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDescription: 4-way active monitor with MEME™ Technology\u003c\/li\u003e\n\u003cli\u003eControls: Analog\/AES3 input select, AES3 L\/R channels select, Input level stepped attenuator, Subwoofer level, Emulation voice select\u003c\/li\u003e\n\u003cli\u003eInput Impedance: 50k Ohm\u003c\/li\u003e\n\u003cli\u003eFrequency Response: 20Hz – 50kHz (±3dB) | 28Hz – 40kHz (±1dB)\u003c\/li\u003e\n\u003cli\u003eBass Response: -3 dB @ 20Hz, Q = 0.707 | Slope 12 dB\/octave\u003c\/li\u003e\n\u003cli\u003eCabinet: 90 liters total internal volume, Sealed sub enclosure, Sealed woofer enclosures, Sealed woofer enclosure, Machined aluminum baffle plate, Aluminum subwoofer frames function as lateral cabinet bracing, Long fiber wool acoustic damping throughout.\u003c\/li\u003e\n\u003cli\u003eCrossover Frequencies: 80 \/ 800 \/ 4000 Hz\u003c\/li\u003e\n\u003cli\u003eTweeter: 1″ ring radiator, Advanced geometry motor, Rear waveguide chamber\u003c\/li\u003e\n\u003cli\u003eAmplifier: 250W Hypex\u003c\/li\u003e\n\u003cli\u003eMidranges: 2 x 2.5″ aluminum cones, Advanced geometry motor, +\/- 2 mm linear excursion\u003c\/li\u003e\n\u003cli\u003eAmplifier: 250W Hypex\u003c\/li\u003e\n\u003cli\u003eWoofers: 2 x 7″ aluminum cones, Advanced geometry motor, +\/- 13 mm linear excursion\u003c\/li\u003e\n\u003cli\u003eAmplifier: 250W Hypex\u003c\/li\u003e\n\u003cli\u003eSubwoofers: 2 x 12″ aluminum cones, Advanced geometry motor, +\/- 25 mm linear excursion\u003c\/li\u003e\n\u003cli\u003eAmplifier: 1200W Hypex\u003c\/li\u003e\n\u003cli\u003eAC Power Input: Nominal 115 VAC or 230 VAC selectable\u003c\/li\u003e\n\u003cli\u003ePower Consumption: Idle: 50W, Maximum: 1500W\u003c\/li\u003e\n\u003cli\u003eWeight: Speaker: 120 lbs each (54 kg) – no handles\u003c\/li\u003e\n\u003cli\u003eShipping: 135 lbs each (61 kg) – no handles\u003c\/li\u003e\n\u003cli\u003eDimensions HxWxD: 26.0 x 14.4 x 21.9 inches (660 x 366 x 556 mm)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Barefoot Sound","offers":[{"title":"without Handles","offer_id":32372961476702,"sku":"","price":25350.0,"currency_code":"EUR","in_stock":false},{"title":"with Handles","offer_id":32372961509470,"sku":"","price":27900.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8134\/1022\/products\/barefoot_minimain12_no_handles_pair.jpg?v=1620124405"},{"product_id":"barefoot-sound-masterstack12","title":"Barefoot Sound MasterStack12 (Pair)","description":"\u003cp\u003e4.5-way active modular tower system with 10 drive units housed in sealed enclosures spanning 18Hz to 40kHz with vanishingly low distortion, breathtaking dynamic range and ultra-fast transient response\u003c\/p\u003e\n\u003cp\u003eThe MasterStack12 is a 4.5-way active modular tower system with 10 drive units housed in sealed enclosures spanning 18Hz to 40kHz with vanishingly low distortion, breathtaking dynamic range and ultra-fast transient response. Every driver has an under-hung voice coil moving inside an advanced geometry motor that enables it make extremely long linear excursions. The ring radiator tweeter is incredibly detailed and produces very wide dispersion out to its highest frequencies. The aluminum cone subwoofers, woofers and midranges radiate as perfect pistons to at least 2.5 octaves beyond their respective bandwidths.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures \u0026amp; Specs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDescription: 4.5-way active modular tower monitor with MEME™ Technology\u003c\/li\u003e\n\u003cli\u003eControls: Analog\/AES3 input select, AES3 L\/R channels select, Input level stepped attenuator, Subwoofer level, Emulation voice select\u003c\/li\u003e\n\u003cli\u003eInput Impedance: 25k Ohm\u003c\/li\u003e\n\u003cli\u003eFrequency Response: 18Hz – 50kHz (±3dB) | 26Hz – 40kHz (±1dB)\u003c\/li\u003e\n\u003cli\u003eBass Response: -3 dB @ 18Hz, Q = 0.707\u003c\/li\u003e\n\u003cli\u003eSlope = 12 dB\/octave\u003c\/li\u003e\n\u003cli\u003eCabinet: 180 liters total internal volume, Sealed sub enclosures, Sealed woofer enclosures, Sealed woofer enclosure, Machined aluminum baffle plate, Aluminum subwoofer frames function as lateral cabinet bracing, Long fiber wool acoustic damping throughout.\u003c\/li\u003e\n\u003cli\u003eCrossover Frequencies: 80 \/ 200 \/ 800 \/ 4000 Hz\u003c\/li\u003e\n\u003cli\u003eTweeter: 1″ ring radiator, Advanced geometry motor, Rear waveguide chamber\u003c\/li\u003e\n\u003cli\u003eAmplifier: 250W Hypex\u003c\/li\u003e\n\u003cli\u003eMidranges: 2 x 2.5″ aluminum cones, Advanced geometry motor, +\/- 2 mm linear excursion\u003c\/li\u003e\n\u003cli\u003eAmplifier: 250W Hypex\u003c\/li\u003e\n\u003cli\u003eWoofers: 3 x 7″ aluminum cones, Advanced geometry motor, +\/- 13 mm linear excursion\u003c\/li\u003e\n\u003cli\u003eAmplifier: 500W Hypex\u003c\/li\u003e\n\u003cli\u003eSubwoofers: 4 x 12″ aluminum cones, Advanced geometry motor, +\/- 25 mm linear excursion\u003c\/li\u003e\n\u003cli\u003eAmplifier: 2400W Hypex\u003c\/li\u003e\n\u003cli\u003eAC Power Input: Nominal 115 VAC or 230 VAC selectable\u003c\/li\u003e\n\u003cli\u003ePower Consumption: Idle: 100W, Maximum: 1800W\u003c\/li\u003e\n\u003cli\u003eWeight: Weight: 280 lbs per tower (127 kg) – no handles\u003c\/li\u003e\n\u003cli\u003eShipping: 325 lbs per tower (147 kg) – no handles\u003c\/li\u003e\n\u003cli\u003eDimensions HxWxD: Cabinet: 63.0 x 14.4 x 21.9 inches (1600 x 366 x 556 mm)\u003c\/li\u003e\n\u003cli\u003eFootprint WxD: 23.0 x 21.5 (584 x 546 mm)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Barefoot Sound","offers":[{"title":"with Pedestals","offer_id":32372972945502,"sku":"","price":48900.0,"currency_code":"EUR","in_stock":false},{"title":"with Pedestals \u0026 Handles","offer_id":32372973174878,"sku":"","price":54300.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8134\/1022\/products\/barefoot-masterstack12-no-handles-pair_54686_1_d2be82b5-11de-4fe1-8377-f5bf791937f5.jpg?v=1620124394"},{"product_id":"aea-ku4","title":"AEA KU4","description":"\u003cp\u003eThe KU4 is AEA's version of the rare RCA KU3A, one of the most impressive microphones in recording history. With less than 600 units ever built, the KU3A is super hard to find and can command extermely high prices in the used market. Enter the KU4.\u003c\/p\u003e\n\u003cp\u003eAEA’s KU4 is one of the most useful and unique ribbon microphones in the world. Its supercardioid polar pattern rejects bleed from other instruments and reflections in the room while retaining matchless top-end clarity. As the brightest mic in the AEA line, it retains the full spectrum sonic range that has made ribbon mics a staple in most of the world’s great recording studios.\u003c\/p\u003e\n\u003cp\u003eThe KU4’s minimal proximity effect and accented mid-range make it an exceptional vocal mic that captures the presence and detail of a performance. Its near-field nature also lends to the close range recording of kick drums, strings, and woodwinds, providing a welcome brightness and balance in the mix.\u003c\/p\u003e","brand":"AEA Microphones","offers":[{"title":"Default Title","offer_id":31819332780126,"sku":"","price":6870.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8134\/1022\/products\/aea_ku4_1.jpg?v=1600332878"},{"product_id":"aea-r44c","title":"AEA R44C","description":"\u003cp\u003eThe RCA 44 ribbon has a legacy of more than 80 years in the recording and broadcast history due to its big sound and character. This instantly recognisable sound produces thunderous lows due to the strong proximity effect, full and rich midrange and a unique top end taking the edge off of harsh instruments.\u003c\/p\u003e\n\u003cp\u003eIn 1976, AEA decided to begin servicing the thousands of existing RCA ribbon mics in the world. By 1998, AEA had acquired 100 percent of the interchangeable parts used within the original RCA 44. That same year we debuted our R44 reissue — called the AEA R44C — using RCA’s original methods and techniques.\u003c\/p\u003e\n\u003cp\u003eAEA's R44 Series microphones all share the authentic sound, feel and look of the 1936-38 RCA 44BX. The R44 series microphones are all detailed, hand-crafted replicas, using parts that are made to be interchangeable with an original RCA 44. We manufacture three different versions of the R44 and an optional hotrod. At the core, every version of the R44 sounds the same when powered with a ribbon preamp. The major differences between the versions are the exterior look and the amount of output level.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe R44C is a museum-quality replica, featuring a bronze investment cast yoke, superior to the original zinc yokes by RCA (which tend to corrode over time), a hand-polished cushion mount and an attached professional XLR cable.\u003c\/strong\u003e\u003c\/p\u003e","brand":"AEA Microphones","offers":[{"title":"Default Title","offer_id":31820145197150,"sku":"","price":5150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8134\/1022\/products\/aea_r44c_1.jpg?v=1600332959"},{"product_id":"aea-r44cx","title":"AEA R44CX","description":"\u003cdiv id=\"videoContainer\"\u003eThe RCA 44 ribbon has a legacy of more than 80 years in the recording and broadcast history due to its big sound and character. This instantly recognisable sound produces thunderous lows due to the strong proximity effect, full and rich midrange and a unique top end taking the edge off of harsh instruments.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eIn 1976, AEA decided to begin servicing the thousands of existing RCA ribbon mics in the world. By 1998, AEA had acquired 100 percent of the interchangeable parts used within the original RCA 44. That same year we debuted our R44 reissue — called the AEA R44C — using RCA’s original methods and techniques.\u003c\/p\u003e\n\u003cp\u003eAEA's R44 Series microphones all share the authentic sound, feel and look of the 1936-38 RCA 44BX. The R44 series microphones are all detailed, hand-crafted replicas, using parts that are made to be interchangeable with an original RCA 44. We manufacture three different versions of the R44 and an optional hotrod. At the core, every version of the R44 sounds the same when powered with a ribbon preamp. The major differences between the versions are the exterior look and the amount of output level.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe R44CX is X-Motor hot rodded version of the museum-quality R44C. AEA developed a modified R44 transducer, called the X-Motor, that includes two additional magnets that provide an extra 6db of output. With a sound identical to the original 44, the X-Motor ‘hot rod’ mod is useful for scoring and classical sessions and other applications demanding a wide dynamic range with the classic 44 sound. Available as an upgrade in R44C and CE models, the X-Motor version of the R44 bears a red-badge on the outside instead of the standard black badge.\u003c\/strong\u003e\u003c\/p\u003e","brand":"AEA Microphones","offers":[{"title":"Default Title","offer_id":31820163743838,"sku":"","price":5895.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8134\/1022\/products\/aea_r44cx_1.jpg?v=1600332979"},{"product_id":"aea-a440","title":"AEA A440","description":"\u003cp\u003eThe RCA 44 ribbon has a legacy of more than 80 years in the recording and broadcast history due to its big sound and character. This instantly recognisable sound produces thunderous lows due to the strong proximity effect, full and rich midrange and a unique top end taking the edge off of harsh instruments.\u003c\/p\u003e\n\u003cp\u003eIn 1976, AEA decided to begin servicing the thousands of existing RCA ribbon mics in the world. By 1998, AEA had acquired 100 percent of the interchangeable parts used within the original RCA 44. That same year we debuted our R44 reissue — called the AEA R44C — using RCA’s original methods and techniques.\u003c\/p\u003e\n\u003cp\u003eAEA's R44 Series microphones all share the authentic sound, feel and look of the 1936-38 RCA 44BX. The R44 series microphones are all detailed, hand-crafted replicas, using parts that are made to be interchangeable with an original RCA 44. We manufacture three different versions of the R44 and an optional hotrod. At the core, every version of the R44 sounds the same when powered with a ribbon preamp. The major differences between the versions are the exterior look and the amount of output level.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe active A440 is a preamp-flexible R44 with 18dB of extra output. It is custom-painted with the RCA classic umber-colored transformer case.\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"AEA Microphones","offers":[{"title":"Default Title","offer_id":31820186026078,"sku":"","price":7550.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8134\/1022\/products\/aea_a440_1.jpg?v=1600332861"},{"product_id":"elysia-alpha-compressor","title":"elysia alpha compressor","description":"\u003cp\u003eThe alpha compressor is a modern classic and becomes, since the release in 2008 a mighty tool for professional dynamics processing. Featuring innovative functions and providing absolutely uncompromising sound quality, it sets new standards for enhancing any kind of audio material. It offers M\/S processing, parallel compression, limiters, as well as sidechain and audio filters, just to name a few.\u003c\/p\u003e\n\u003cp\u003eEvery single of its many aspects – sound, features, circuitry, components, design, materials, manufacturing – has been thought over and over until there was just nothing left to improve. Basically, every single part of this fine compressor is custom, and most of these are made according to our own designs and specs.\u003cbr\u003e\u003cbr\u003eOnly the best components the market has to offer are good enough for the alpha, and it shows. Each alpha compressor is manually built to order and tested by ourselves, here at our headquarters in Germany.\u003cbr\u003e\u003cbr\u003eThe alpha’s benefits sum up in an audio quality that is beyond all doubt. Even when extreme settings are used, the sound always stays clean and powerful. The alpha achieves perfect processing results for all different styles of music and assures the ‘this is it’ feeling of a finished song. Its enhanced functions exceed the potential of normal compressors by far and give you unimagined options for mastering and mixing.\u003c\/p\u003e","brand":"elysia","offers":[{"title":"Default Title","offer_id":31923460079710,"sku":"","price":11390.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8134\/1022\/products\/elysia-alpha-compressor-front.jpg?v=1600153913"},{"product_id":"eventide-h9000","title":"Eventide H9000","description":"\u003cdiv layout=\"rows top-stretch\"\u003e\n\u003cdiv self=\"sm-full size-2of3\"\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cp\u003eEventide's flagship multi-effects processor, the H9000, continues our unbroken tradition of delivering industry-leading signal processing power to the pro audio community. The culmination of nearly fifty years of R\u0026amp;D, the H9000 comes loaded with 1600 unique algorithms from recreations of beloved classics to Eventide's latest and greatest effects. The wealth of included effects will offer users many years of exploration and inspiration.\u003c\/p\u003e\n\u003cp\u003eThe H9000 comes loaded with 1600 unique algorithms from the H8000 and the H9 with over 500 presets covering reverb, delay, modulation, pitch shifting, distortion, and more. Multi-channel algorithms include 5.1 halls, chambers, plates, rooms, booths, and various ambient spaces. Also, the H9000 introduces the concept of FX Chains for connecting any set of four effects with user-defined, flexible routing. FX Chains can be created to act as a channel strip, a guitar pedalboard, a modular synth with effects, etc. The H9000’s FX Chain paradigm is like a custom channel strip on steroids allowing any four complex algorithms to be combined and routed to taste. FX Chains are invaluable for quickly exploring various combinations of effects to achieve new and inspiring sounds.\u003c\/p\u003e\n\u003cp\u003eWith up to 96 channels of simultaneous signal processing and a generous complement of analog and digital audio I\/O, the H9000 is the perfect platform for surround sound and for processing many tracks of audio simultaneously. Audio I\/O includes: 8 channels of pristine analog audio, 16 channels over USB, 8 channels of AES\/EBU, ADAT optical and S\/PDIF. Whether you use it live or in a studio, the H9000 gives you plenty of external control options.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures \u0026amp; Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFour quad core ARM processors: 16 DSP engines\u003c\/li\u003e\n\u003cli\u003eAnalog audio I\/O: 8 channels\u003c\/li\u003e\n\u003cli\u003eUSB audio: 16 channels\u003c\/li\u003e\n\u003cli\u003eAES\/EBU, ADAT, S\/PDIF: Up to 8 channels\u003c\/li\u003e\n\u003cli\u003eNetwork audio options: 32 channels per expansion card. Three expansion slots for optional audio connectivity. 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The culmination of nearly fifty years of R\u0026amp;D, the H9000 comes loaded with 1600 unique algorithms from recreations of beloved classics to Eventide's latest and greatest effects. The wealth of included effects will offer users many years of exploration and inspiration.\u003c\/p\u003e\n\u003cp\u003eThe H9000 comes loaded with 1600 unique algorithms from the H8000 and the H9 with over 500 presets covering reverb, delay, modulation, pitch shifting, distortion, and more. Multi-channel algorithms include 5.1 halls, chambers, plates, rooms, booths, and various ambient spaces. Also, the H9000 introduces the concept of FX Chains for connecting any set of four effects with user-defined, flexible routing. FX Chains can be created to act as a channel strip, a guitar pedalboard, a modular synth with effects, etc. The H9000’s FX Chain paradigm is like a custom channel strip on steroids allowing any four complex algorithms to be combined and routed to taste. FX Chains are invaluable for quickly exploring various combinations of effects to achieve new and inspiring sounds.\u003c\/p\u003e\n\u003cp\u003eWith up to 96 channels of simultaneous signal processing and a generous complement of analog and digital audio I\/O, the H9000 is the perfect platform for surround sound and for processing many tracks of audio simultaneously. Audio I\/O includes: 8 channels of pristine analog audio, 16 channels over USB, 8 channels of AES\/EBU, ADAT optical and S\/PDIF. Whether you use it live or in a studio, the H9000 gives you plenty of external control options.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEventide H9000R can only be controlled using Emote software\/plugin, there's no touchscreen or controls on the unit itself.\u003c\/strong\u003eThe H9000's remote control application, Emote, is available for users working 'in the box' or over an audio network. 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The filter itself consist of five bands – each with 11 switchable frequencies, continuous variable “Q”, and individual boost\/bypass\/cut selection. The unit has an overall output level “TRIM”, and a hard relay bypass serving as reference for your work.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe stereo channels are linked – controlled with one set of knobs, so you won’t ever have to match settings of two channels. The “Q”s, filter sharpness, are rather low when boosting, but higher at cut – approaching notch behavior at extreme cut settings. This is both a side-effect of the applied passive technology – as well as quite desirable in situations where sound integrity is the paramount factor.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrequencies for the five bands have been selected with special attention to controlability of the midrange area, with approximately half a frequency-range overlap to the adjacent bands.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis equalizer technology is a very extended version of the classic passive inductor\/capacitor type filter. Although the classic versions are very useful tools in many situations, they often feel somewhat limited due to their simple construction and coverage. Our engineers wanted – as engineers tend to do – much more of everything. So we came up with the parallel-passive design, the G14.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eG14-S is based on this truly passive design – switching a set of inductors and capacitors in and out of circuit. This passive filter set is then matched with input\/output interfacing for trouble-free interfacing to the outer world, and a gain stage to make up for the approximate 20dB passive loss in the filters.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor this, we give you a selection of two different technologies – at a flick of the bypass switch: When set to “IN”, you have the traditional and much-loved selection of tube makeup gain based on 6H23n (E88CC\/6922) tubes combined with transformer-balanced input and output interfacing.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIf this gets to be too much of a good thing, you switch the bypass to “S” – and we replace everything but the filter and controls with entirely different technology: The inputs are now integrated balanced differential receivers, amplification is handled by a high-grade opamp, and output is driven by state-of-the-art active servo balancing circuits. Two entirely different personalities in one box.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAn important feature – for us – is that the original signal path of the classic G14 is fully preserved in the G14-S: Only parts relating to the solid-state path has been added, in “tube mode”, the G14S\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput impedance – around 5K Ohms, transformer balanced or 24K Ohms Servo\/ differential receiver balanced input\u003c\/li\u003e\n\u003cli\u003eOutput impedance – ~1K Ohms, transformer balanced or ~100 Ohms, active servo balanced\u003c\/li\u003e\n\u003cli\u003eMake-up gain Amplification by 6n23p\/E88CC tube stage or contemporary opamp circuit\u003c\/li\u003e\n\u003cli\u003eMax boost\/cut – ~10-12dB, depending on “Q” setting\u003c\/li\u003e\n\u003cli\u003eGain trim ~+3 – -5dB – unity gain somewhere between 12:00 and 14:00, depending on tube matching point\u003c\/li\u003e\n\u003cli\u003eEach of the five bands are individually hard-bypassable (on the “MODE” control)\u003c\/li\u003e\n\u003cli\u003eChannel tracking better than ~1dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFrequency markings:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLow: 35-48-60-70-80-100-120-160-190-220-270Hz\u003c\/li\u003e\n\u003cli\u003eLow mid: 180-230-280-330-400-430-490-550-590-650-750Hz\u003c\/li\u003e\n\u003cli\u003eMid: 500-570-700-800-900-1K-1K1-1K3-1K5-1K8-2K1 Hz\u003c\/li\u003e\n\u003cli\u003eHigh mid: 950-1K2-1K4-1K7-2K-2K5-3K-3K5-4K2-5K-6K3 Hz\u003c\/li\u003e\n\u003cli\u003eHigh: 4K5-5K6-6K5-7K8-9K1-12K-14K-16K-18K-20K-22KHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr data-mce-fragment=\"1\"\u003eG14-S is as standard available as a 230V mains unit – other mains voltages will be made on request (at no extra cost).","brand":"Gyraf Audio","offers":[{"title":"Default Title","offer_id":31923841499230,"sku":"","price":5040.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8134\/1022\/products\/Gyraf-G14-s_front_1.jpg?v=1620124631"},{"product_id":"gyraf-g21-magneto-dynamic-infundibulum","title":"Gyraf G21 Magneto Dynamic Infundibulum","description":"\u003cp\u003eThe G21 is kinda an elaboration on our G14 parallel-passive eq – the parallel topology enables multi-band control without running into the traditional problems in multi-banding (i.e. the problem in phase at recombining)\u003cbr\u003e\u003cbr\u003eUse carefully – this is in no way a fire-and-forget gadget: Multiple types of interacting nonlinearities are at large, even a few in macroscopic time-domain because of components heating and temperature coefficients. Changing something in one band will sure as hell result in something else showing up somewhere else. Feels organic in that.\u003cbr\u003e\u003cbr\u003eClassic problem is that multi-banding gives inadequate results because of filter phase shift messing up recombining. We deal with this by NOT band-splitting, but in stead dealing with all frequencies in parallel fashion, only opening frequency-selective channels into the clipping circuitry. Byproduct of this is that spike\/peak phase is altered first, only to be real-clipped if pushing the phase won’t get the total signal below threshold. Kinda like an audio file hair-remover (work title of the G21 was “The AudioShaver”)\u003cbr\u003e\u003cbr\u003eAs we all know, clipping generates harmonics – there’s simply no way around that. But what you do with those harmonics will make a lot of difference. The beauty is here, that as the clipping is done at the remote end of a frequency selective channel, the clipping byproducts (harmonics, at frequencies multiple times the clipped) have a hard time getting back out and into the audio, because they are now no more in the right frequency range..\u003cbr\u003e\u003cbr\u003eAnd other than the three bands of clipping, we have an overall clipper that can be set for linear (white), pink -3dB\/oct or red -5dB\/oct emphasis – enabling gradually lower “threshold” at higher frequencies.\u003cbr\u003e\u003cbr\u003eThen there’s a fine-trim for listening back in-level when comparing your work, and two selectable frequencies of 18dB\/oct low-cut at the input of the unit – sometimes excessive low-frequency material triggers the G21 in unwanted ways, low-cutting can help those situations.\u003cbr\u003e\u003cbr\u003eBut why passive?\u003cbr\u003e\u003cbr\u003eIn essence, we want complete control and predictability in the clipping process – and we want to preserve signal integrity as far as possible. In passive domain, we are more or less restricted to what could be described as ‘first order’ non-linearities – we do not convolute clipping on top of clipping (i.e. distortion on the distortion products) like it would most often happen in an active circuit under feedback control. It’s hard enough to navigate the nonlinear processes already – we do not want to add unnecessarily to the mess.\u003cbr\u003e\u003cbr\u003eG21 is as standard available as all mains voltages – it’s entirely passive, and does not even have a power connector (!)\u003c\/p\u003e","brand":"Gyraf Audio","offers":[{"title":"Default Title","offer_id":31923855556702,"sku":"","price":5390.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8134\/1022\/products\/Gyraf-Audio-G21_front.jpg?v=1620124630"},{"product_id":"josephson-engineering-c700a","title":"Josephson Engineering C700A","description":"\u003cp\u003eSeries Seven microphones provide unprecedented flexibility, as the directional pattern of the mic can be adjusted in use, during or after recording. The Josephson C700 microphones include omni\/pressure and figure-8\/gradient capsules, each with a discrete output. The signals can be recorded on separate tracks, so the pattern can be selected in mixdown. Pattern control is only one advantage of this technique. Applying different equalization or dynamic control to the capsule signals makes entirely different mic characteristics - for instance the warmth of a gradient mic used close up for vocals might be combined with the transparency of a pressure mic in the highs, by rolling off the high frequencies in the gradient signal and the lows in the pressure signal before they are combined. \u003c\/p\u003e\n\u003cp\u003eThe Josephson C700A includes two capsules in one housing, a 16mm omni\/pressure element similar to the KA11 capsule in the Series Six, and a 26mm figure- 8\/gradient capsule. Mixing the two outputs equally produces a cardioid pattern, using other ratios makes any desired pattern from omni to figure- 8. \u003c\/p\u003e\n\u003cp\u003eCompletely neutral electronics, using the same cascode FET input, class-A active balanced output circuit found in the Series Six, are provided for each signal. Any directional pattern from omni to figure-8 may be selected by controlling the ratio of pressure to gradient signals. \u003c\/p\u003e\n\u003cp\u003eThe capsule assembly in the Series Seven is internally shock mounted, so that the mic may be attached directly to a stand through its yoke mount without any external accessories.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePRODUCT SPECIFICATIONS\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eLENGTH\u003c\/strong\u003e    328 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDIAMETER\u003c\/strong\u003e    63 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTUBE OR SOLID STATE    \u003c\/strong\u003eSolid State\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTRANSDUCER TYPE\u003c\/strong\u003e    Condenser\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePOLAR PATTERN\u003c\/strong\u003e    Omni-Directional\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePHANTOM REQUIRED\u003c\/strong\u003e    Yes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFREQUENCY RANGE\u003c\/strong\u003e    20 Hz - 20 kHz ±2 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSENSITIVITY\u003c\/strong\u003e    -41 dBV\/Pa (9 mV\/Pa)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Josephson Engineering","offers":[{"title":"Default Title","offer_id":31929968164958,"sku":"","price":6950.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8134\/1022\/products\/c700a_2.jpg?v=1600154036"},{"product_id":"josephson-engineering-c700s","title":"Josephson Engineering C700S","description":"\u003cp\u003eSeries Seven microphones provide unprecedented flexibility, as the directional pattern of the mic can be adjusted in use, during or after recording.  Josephson C700 microphones include omni\/pressure and figure-8\/gradient capsules, each with a discrete output. The signals can be recorded on separate tracks, so the pattern can be selected in mixdown. Pattern control is only one advantage of this technique. Applying different equalization or dynamic control to the capsule signals makes entirely different mic characteristics - for instance the warmth of a gradient mic used close up for vocals might be combined with the transparency of a pressure mic in the highs, by rolling off the high frequencies in the gradient signal and the lows in the pressure signal before they are combined. \u003c\/p\u003e\n\u003cp\u003eThe Josephson C700S microphone has three capsules; an additional side-facing figure-8 capsule is added to the two in the C700A. Any coincident stereo pickup can be derived from mixing these three signals together, and like the C700A, the signals can be recorded individually and all aspects of image width and pattern control may be adjusted in the mixdown. With the three capsule signals, any number of microphone outputs may be created, each one pointed anywhere in the plane around the microphone. \u003c\/p\u003e\n\u003cp\u003eThe capsule assembly in the Series Seven is internally shock mounted, so that the mic may be attached directly to a stand through its yoke mount without any external accessories.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePRODUCT SPECIFICATIONS\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eLENGTH\u003c\/strong\u003e    365 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDIAMETER\u003c\/strong\u003e    63 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTUBE OR SOLID STATE\u003c\/strong\u003e    Solid State\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTRANSDUCER TYPE\u003c\/strong\u003e    Condenser\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePOLAR PATTERN \u003c\/strong\u003e   Omni-Directional\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePHANTOM REQUIRED \u003c\/strong\u003e   Yes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFREQUENCY RANGE\u003c\/strong\u003e    40 Hz - 20 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSENSITIVITY\u003c\/strong\u003e    -41 dBV\/Pa (9 mV\/Pa)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Josephson Engineering","offers":[{"title":"Default Title","offer_id":31929982648414,"sku":"","price":9990.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8134\/1022\/products\/c700s_1.jpg?v=1600154036"},{"product_id":"josephson-engineering-c715","title":"Josephson Engineering C715","description":"\u003cp\u003eSeries Seven microphones provide unprecedented flexibility in studio pickups with a variety of directional patterns. The Josephson C715 uses a unique single large diaphragm capsule with an adjustable vent allowing cardioid or omni operation, and includes a new, patented metal foam housing for minimum acoustic coloration due to the elimination of many internal reflecting surfaces.\u003c\/p\u003e\n\u003cp\u003eThe C715 features the new single-sided capsule with a 5 micron evaporated gold diaphragm. The backplate has an adjustable vent, reached through an opening in the back of the grille, that allows the mic to be adjusted from cardioid to omni. The single diaphragm capsule has a particularly smooth sound, usable for many studio applications where some conventional dual diaphragm mics are too harsh or bright.\u003c\/p\u003e\n\u003cp\u003eThe internal circuitry uses a class-A cascode FET front end, driving a large nickel core Lundahl output transformer for compatibilty with a wide range of preamps and consoles. The internal high voltage linear supply generates capsule polarization voltage without using a switching oscillator, for very low noise.\u003c\/p\u003e\n\u003cp\u003eThe capsule assembly in the C715 is internally shock mounted so that the mic may be attached directly to a stand through its rugged yoke mount, without using any external accessories.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePRODUCT SPECIFICATIONS\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eLENGTH\u003c\/strong\u003e    261 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDIAMETER\u003c\/strong\u003e    63 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUNIT WEIGHT\u003c\/strong\u003e    1200 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTUBE OR SOLID STATE\u003c\/strong\u003e    Solid State\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTRANSDUCER TYPE\u003c\/strong\u003e    Condenser\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePOLAR PATTERN\u003c\/strong\u003e    Cardioid, Omni-Directional, Wide Cardioid\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePHANTOM REQUIRED\u003c\/strong\u003e    Yes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFREQUENCY RANGE\u003c\/strong\u003e    50 Hz - 25 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMAX. SPL\u003c\/strong\u003e    140 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Josephson Engineering","offers":[{"title":"Default Title","offer_id":31929991725150,"sku":"","price":5750.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8134\/1022\/products\/c715_1.jpg?v=1600154037"},{"product_id":"josephson-engineering-c716","title":"Josephson Engineering C716","description":"\u003cp\u003eJosephson Series Seven microphones provide unprecedented flexibility in studio pickups with a variety of directional patterns. The Josephson C716 dual-diaphragm capsule is optimized for cardioid, and is ideal for vocal pickups and instrumentals where a warm, natural sound is needed with minimum acoustic coloration. Off-axis response is particularly smooth, yielding excellent results in a variety of acoustic environments.\u003c\/p\u003e\n\u003cp\u003eThe C716 features a cardioid version of the large dual-diaphragm capsule used in Josephson’s C700 series, with a 5 micron evaporated gold diaphragm. The head grille uses Josephson’s patented hard metal foam structure welded to the housing tube, instead of wire mesh or perforated metal. No other structure is needed, so internal reflections are randomized for clean, detailed sound pickup. The entire housing, circuit board, capsule and all its internal parts are made by Josephson in the USA. The microphone features a hard matte black chrome finish for durability in studio use.\u003c\/p\u003e\n\u003cp\u003eThe internal circuitry uses a class-A FET front end with active balanced transformer-less output using discrete large-geometry devices like those in the Josephson C700 and C617. The internal high voltage linear supply generates capsule polarization voltage without using any digital devices or oscillators, for very low noise.\u003c\/p\u003e\n\u003cp\u003eThe capsule assembly in the C716 is internally shock mounted so that the mic may be attached directly to a stand through its rugged yoke mount, without using any external accessories.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePRODUCT SPECIFICATIONS\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eLENGTH\u003c\/strong\u003e    261 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDIAMETER\u003c\/strong\u003e    63 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUNIT WEIGHT\u003c\/strong\u003e    1200 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTUBE OR SOLID STATE\u003c\/strong\u003e    Solid State\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTRANSDUCER TYPE\u003c\/strong\u003e    Condenser\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePOLAR PATTERN\u003c\/strong\u003e    Cardioid\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFREQUENCY RANGE\u003c\/strong\u003e    20 Hz - 20 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSENSITIVITY\u003c\/strong\u003e    -32 dBV\/Pa (26 mV)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMAX. SPL\u003c\/strong\u003e    136 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Josephson Engineering","offers":[{"title":"Default Title","offer_id":31929994870878,"sku":"","price":5990.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8134\/1022\/products\/C716.jpg?v=1600154036"},{"product_id":"josephson-engineering-c725","title":"Josephson Engineering C725","description":"\u003cp\u003eThe Josephson C725 provides classic studio microphone performance using a hybrid of vacuum tube and solid state technology, and the classic dual-diaphragm capsule manufactured that’s used in the C700 and C716 microphones. A separate high voltage regulated power supply is provided, with five switchable directional patterns and a unique ☉\/☾ selector to optimize the signal path. The C725 is suitable for detailed vocal and instrument pickup.\u003c\/p\u003e\n\u003cp\u003eThe head grille uses Josephson’s patented aluminum foam, fused to the housing for physical and electrical protection, with only an ultra-fine highly open mesh for contamination protection. No other structure is needed, so internal reflections are random and minimal, allowing clean, detailed sound pickup. The capsule assembly is internally shock-mounted so the microphone can be attached directly to a stand through its yoke mount. The C725 features a satin nickel finish for durability in studio use.\u003c\/p\u003e\n\u003cp\u003eThe internal circuitry is related to other Josephson mics, with a cascode topology for best linearity. Instead of using two FETs to form the cascode, in the C725 the voltage gain section uses a low-noise FET, while the current gain stage uses a readily available current production pentode vacuum tube. This provides the low noise of the FET along with the dynamic characteristics of the vacuum tube. The output is provided through a custom nickel-core transformer, which has independent windings for output and gain control.\u003c\/p\u003e\n\u003cp\u003eThe PS725 power supply allows operation on 100 to 240 volt mains supplies and allows selection of five directional patterns and two signal\/dynamics characteristics. The ☉ setting operates at full gain, with a high sensitivity of 40 mV\/Pa, and the warmth characteristic of many vacuum tube mics. In the ☾ setting, a small amount of negative feedback is provided from a dedicated winding of the output transformer back to the front end of the amplifier. This reduces the sensitivity by 12 dB, to 10 mV\/Pa, and linearizes the circuit to provide a more neutral character and the ability to handle higher levels. Switching between the two modes is accomplished with a precision reed relay inside the microphone. Five separate power supply sections are used: a preregulator for the vacuum tube filament along with a final regulator inside the microphone so that filament voltage is not changed by cable length, two low noise supplies for the high voltage regulator, and a precision shunt regulator for the vacuum tube plate and polarization voltages.\u003c\/p\u003e\n\u003cp\u003eThe cable is a highly flexible five-pair type, 3 m long, terminating in a “large Tuchel” 12-contact connector. It may optionally be extended up to 50 meters. 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SPL\u003c\/strong\u003e    165 dB SPL​\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Josephson Engineering","offers":[{"title":"Default Title","offer_id":31929997328478,"sku":"","price":10850.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8134\/1022\/products\/c725.jpg?v=1600154062"},{"product_id":"microtech-gefell-um-930","title":"Microtech Gefell UM 930","description":"\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003eThe Gefell M960 is a compact large diaphragm omnidirectional microphone that has been corrected for the diffuse field to record the acoustic ambience of a performance by hanging the mic above and ahead of the source.  \u003c\/p\u003e\n\u003cp\u003eA carefully tailored 'presence rise' ads intelligibility while off axis response is smooth and natural. Ideally suited for orchestra and choir in natural settings, the M960 is also adept at overhead studio mic'ing for recording and broadcast.\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Microtech Gefell","offers":[{"title":"Satin Nickel \/ Clip MH 80","offer_id":31935564644446,"sku":"","price":4930.0,"currency_code":"EUR","in_stock":true},{"title":"Satin Nickel \/ Shockmount EA 92","offer_id":31935564677214,"sku":"","price":5165.0,"currency_code":"EUR","in_stock":true},{"title":"Dark Bronze \/ Clip MH 80","offer_id":31935564709982,"sku":"","price":4930.0,"currency_code":"EUR","in_stock":true},{"title":"Dark Bronze \/ Shockmount EA 92","offer_id":31935564742750,"sku":"","price":5165.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8134\/1022\/products\/um930.jpg?v=1600154157"},{"product_id":"microtech-gefell-um-930-twin","title":"Microtech Gefell UM 930 Twin","description":"\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003eThe Gefell UM 930 Twin switchable studio condenser microphone combines modern large diaphragm capsule technology with the latest in semiconductor circuit topology. The optimized dual-capsule assembly opens up new applications in the recording technique.\u003c\/p\u003e\n\u003cp\u003eWhen the microphone is ready for operation a green light-emitting diode (LED) inside of protection grid will indicate. Acoustic influences that could result from the housing resonance and\/or mechanical vibration are reduced by the robust construction and by a special fixture within the microphone's housing that dampens vibrations.\u003c\/p\u003e\n\u003cp\u003eYou can replace the black o-rings at the peripheral line of the switching ring with one or more colored rings. Available are the colors green, red and blue.The UM 930 Twin is a special version is equipped with one fixed cardioid directivity pattern, and five additional user-selectable directions.\u003c\/p\u003e\n\u003cp\u003eThe 5-pin XLR connector enables the separate capsule directivity patterns to be used simultaneously.This makes it possible for the recording engineer to compare the directional properties against the reference cardioid during live recording a well as in post production.\u003c\/p\u003e\n\u003cp\u003eThe UM 930 is specifically designed to meet the needs of professional and semi-professional users who demand the highest performance. This microphone is ideally suited for universal miking applications in broadcast and sound studios.Applications include vocalists, announcers, dialog pickup and as spot microphones for recording guitars, keyboards, percussion, wind and string instruments.The pick-up pattern is perpendicular to the direction of the microphone axis (side addressed). The model number and pick-up pattern symbol mark the front of the microphone.\u003c\/p\u003e\n\u003cp\u003eAvailable for the UM 930 SCT condenser microphone is an 1 kHz level checking test signal for checking a complete sound system following the microphone. The Soundcheck Tool is enabled when the polar pattern switching ring is placed midway between any of the polar pattern symbols for longer than 4 - 5 seconds, and the green LED illuminates. The level testing signal takes the individual sensitivity of the microphone, pattern cardioid, and it is equivalent to a sound level of 74 dB. This is 20 dB lower than the reference level at 1 Pascal, and assists in basic microphone setup during soundcheck. The Soundcheck Tool reduces the need for frequent voice tests during setup in most cases.\u003c\/p\u003e\n\u003cp\u003eThe microphone features 5 pickup patterns: omni, wide cardioid, cardioid, hyper cardioid , figure 8. 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The handmade Gefell CMV 563 \/ M7S is crafted in Gefell, Germany, where the original CMV 563 tube microphone was born in 1956. There, the small, dedicated team has revived one of history's most enduring designs and bridged the decades-long gap by ensuring today's capsules are interchangeable with yesterday's. The CMV 563 \/ M7S comes equipped with a cardioid M7 capsule, a design redrawn from the original M7 drawing dated May 26, 1950. The bottom line is, it's all here: the look, the vibe, the tone, the workmanship, the legacy. The Gefell CMV 563 \/ M7S.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eHistory's classic design lives on\u003c\/strong\u003e\u003cbr\u003eWhile many have dared to copy the CMV 563's classic interchangeable design, the original CMV 563 and its capsules have stayed the standard. 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Utilizing the interstage transformer, the filter not only reduces the subsonic energy but also provides distinct transformer tonal characteristics for tracking and mixing. The filter has settings of 40 and 90 Hz with a peaking response and sharp cutoff. The 40 Hz setting has no apparent loss of lows as it adds excitement to the 35-40 Hz region that is golden in many listening environments. The smoothing effect is pleasantly apparent throughout the midrange. It is easily switched-out for applications that require tight, accurate low frequency response.\u003c\/p\u003e\n\u003cp\u003eIn consideration of the limited real estate in your rack, the RETRO 2A3 packs two EQ channels into one 2U space with surprising freedom of movement, ease of adjustment and familiarity. Use the two channels for stereo, separately on independent tracks or cascaded for extended equalization possibilities. 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Unlike other integrated Dante mic preamp designs that rely primarily on a single IC for gain \u0026amp; tone, each channel on the RMP-D8 has a fully-realized class-A microphone preamplifier feeding a custom transformer, maintaining the high standards of Rupert Neve Designs’ standalone preamplifiers.\u003c\/p\u003e\n\u003cp\u003eWhere converters are often an afterthought on combination devices, the 24-bit\/192kHz converters in the RMP-D8 are a product of years of careful listening. The precision­ controlled internal clocking and enhanced jitter reduction enable capture of the full breadth of performance from the mic preamplifiers or the line inputs; with the RMP-D8, there is no weak link in the audio path.\u003c\/p\u003e\n\u003cp\u003eDante audio networking uses standard IP networks to transmit high-quality, uncompressed audio with near-zero latency. It’s the most flexible, reliable, and easy-to-manage audio networking solution available, and provides the lowest cost of ownership by dramatically reducing cabling and labor costs. Dante is the audio networking choice of nearly all professional audio manufacturers, making it the industry standard for digital audio networking.\u003c\/p\u003e\n\u003cp\u003eThe RMP-D8’s audio signal will work with any Dante device across settings ranging from concert halls to arenas, clubs, studios, houses of worship, and educational facilities. 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It cements your gear together with serious transformers \u0026amp; faders, flexible monitoring, talkback \u0026amp; DAW transport controls, and the legendary raw power of a Rupert Neve 24x2 mix-buss.\u003c\/p\u003e\n\u003cp\u003eWith a modular, hybrid analogue\/digital mix system built around the 5060, you can outfit your studio with exactly what you need – and nothing that you don’t. Utilizing modern DAW control technologies, the 5060 seamlessly integrates stem outputs from the DAW with the rest of your control room, sums the final mix, and provides 2-track outputs, source selection, and speaker feed outputs from the monitor section.\u003c\/p\u003e\n\u003cp\u003eWith custom transformers, a class-A mix buss and variable Silk texture control, the 5060 can provide a wide range of tonal flavors. 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Essentially it is two compressors in series, per channel, that can act in stereo, or dual mono. First comes our mastering grade electro optical compressor, followed by our discrete Class-A compressor\/limiter. Both feed our switchable custom output transformers, Nickel, Iron, and Steel. There is enough gain in each section to overdrive the hottest tape, or clip your converters, if you're into that sort of thing.\u003c\/p\u003e\n\u003cp\u003eThe input stage is transformer balanced, followed by our fully discrete optical compressor. This section utilizes the same T4B optical attenuator as the LA2A and LA3A, but is optimized for mastering. The second stage is our discrete Class-A VCA compressor. There are no electrolytic caps or IC chips in the audio path. There are six ratios: 1.2 to 1, 2 to 1, 3 to 1, 4 to 1, 6 to 1, and 10 to 1. There is six attack settings: .1, .5, 1, 5, 10, and 30 milliseconds. And there are six release times selectable: .1, .25, .5,8, 1.2, and Auto. There is an insertable filter in the side chain to limit pumping with bass heavy material. Lastly the signal goes through our new Shadow Hills custom transformer-switching network.\u003c\/p\u003e\n\u003cp\u003eThe first position is Nickel, which is our custom version of a famous L. A. custom console. Next is Iron. In this mode the signal goes through our op-amp and into a Class-A output stage then to our custom Iron transformers, the last transformer position is Steel. These selections allow you to choose between different output transformers that are in effect: clean, colored, and dirty, respectively.\u003c\/p\u003e\n\u003cp\u003eThe optical section has a hard-wired bypass that completely removes it from the signal path, and the Class-A VCA compressor is also hardwire bypassable, completely removing it from the chain. It is possible to independently bypass both compression sections and have your signal go through the input transformer and transformer selector only. There is also a hardwire bypass for the entire compressor, effectively a strait wire in and out of the box. So besides being a mastering grade, and highly functional buss compressor, it serves as an excellent tracking compressor.\u003c\/p\u003e\n\u003cp\u003eFor instance, you might call up the chain of the optical compressor, then to the Class-A output and Iron transformer, for vocals, or select just the Class-A VCA compressor with a 10:1 plus the Steel transformer for crushing some room mics, and on and on.\u003c\/p\u003e\n\u003cp\u003eThe metering can reflect, optical gain reduction, discrete gain reduction, or output level. The Magic eye tube follows the output meter to act as a peak meter.\u003c\/p\u003e\n\u003cp\u003eAll 17 of the rotary switches are detented. The front panel is engraved. 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The audio path, primarily consisting of only 2 transformers and 4 paralleled vari-mu tubes, can provide a gentle smoothing of levels or an explosive, energizing compression that will make any recording leap out of the speakers.\u003c\/p\u003e\n\u003cp\u003eThe UTA UnFairchild is a painstaking recreation of the classic sound of this circuit.\u003c\/p\u003e\n\u003cp\u003eThere are a few limitations of the original Fairchild that we set out to address. First, we have made careful adjustments to the circuitry that greatly improve the lifespan and reliability of the tubes. 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This new topology is a significant evolution of Mr Rupert Neve’s classic designs with appreciable benefits to headroom, dynamic range, distortion, noise, slew rate, bandwidth, and accuracy while still providing for the sweet, musical performance that has been a part of countless recordings.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe MBP’s two compressor sections allow virtually limitless possibilities in dynamics for either dual mono or stereo sources, with controls for ratio, threshold, attack, release, blend, side chain HPF, limit and make up gain. When engaged, the compressor section can be used in both feed-forward and feed-back modes to provide a transparent modern response (feed-forward), or a smoother more musical vintage response (feed-back). Peak mode alters the compressor’s attack to react to peak transients with a roughly .1ms response time. When the Peak switch is disengaged, the compressor responds to the RMS signal in conjunction with the attack and release settings. SC HPF inserts a high pass filter at 250 Hz into the side chain to deal with intense low frequencies that may skew the response of the VCA with certain songs and instruments. “Blend” creates a parallel mix between the compressed and dry signals. By mixing the compressed and dry signals, it is possible to increase the volume of quieter elements in the source material (for instance, delicate snare brushing on a track with much louder hits), while maintaining a natural dynamic feel for the louder elements.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Portico II Master Buss Processor also features an extremely versatile, transparent and musical limiter. 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And when paired with Avid Dock and\/or the free Avid Control app, you gain full monitor control capabilities, touchscreen workflows, and customizable soft keys.\u003c\/span\u003e\u003c\/p\u003e","brand":"AVID","offers":[{"title":"Default Title","offer_id":32260844093534,"sku":"","price":5525.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8134\/1022\/products\/avid_s3_front.jpg?v=1620124393"},{"product_id":"avid-pro-tools-mtrx-studio","title":"Avid Pro Tools MTRX Studio","description":"\u003csection data-hover-color=\"black\" data-offset-bottom=\"1256\" data-offset-top=\"618\" data-scrollspy-destination=\"Rich-Text-Block\" class=\"content-section theme-light  clearfix jsBackground jsActiveBackground\"\u003e\n\u003cdiv class=\"main-content-column    clearfix\" id=\"Rich-Text-Block\"\u003e\n\u003cdiv class=\"section-alignment normal\"\u003e\n\u003cdiv class=\"text-container-max-centered rich-text\"\u003e\n\u003cp\u003eBring creative efficiency to your studio with powerful I\/O, monitoring, and routing capabilities in an all-in-one audio interface. Pro Tools | MTRX Studio simplifies your signal flow, providing connections to all your gear. Route any input to any output. Customize monitor profiles with integrated speaker tuning. Outfit any room in your facility for Dolby Atmos mixing. And get ultra-low latency monitoring when tracking and mixing with Pro Tools | HDX or HD Native. \u003c\/p\u003e\n\u003cp\u003eConnect your entire studio. \u003cspan\u003eGet ample \u003c\/span\u003e\u003cspan\u003eanalog and digital connectivity, \u003c\/span\u003e\u003cspan\u003eincluding Dante, DigiLink, and ADAT, to connect your outboard gear, mics, speakers, and more. Consolidate multiple devices, declutter your signal chain, and save rack space with a versatile audio solution that extends your workflow possibilities.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection data-hover-color=\"black\" data-offset-bottom=\"2471\" data-offset-top=\"1558\" data-scrollspy-destination=\"Features-Wrapper-Section1\" class=\"content-section theme-light  clearfix jsBackground features-wrapper-section jsActiveBackground\"\u003e\n\u003cdiv class=\"main-content-column   features-wrapper-main-content-column clearfix\" id=\"Features-Wrapper-Section1\"\u003e\n\u003cdiv class=\"features-wrapper-main-content\"\u003e\n\u003cdiv class=\"features-wrapper-section-content\"\u003e\n\u003csection data-hover-color=\"black\" data-offset-bottom=\"2404\" data-offset-top=\"1623\" data-scrollspy-destination=\"Features\" class=\"content-section theme-light  clearfix jsBackground jsActiveBackground\"\u003e\n\u003cdiv class=\"main-content-column    clearfix\" id=\"Features\"\u003e\n\u003cdiv class=\"block-list-section\"\u003e\n\u003cdiv class=\"linked-block  reverse-order\"\u003e\n\u003cdiv data-was-processed=\"true\" class=\"linked-block-item lazy-background\"\u003e\n\u003cdiv class=\"linked-block-content-wrap\"\u003eGet premium sound, built in partnership with DAD. \u003cspan\u003eWith Digital Audio Denmark’s precision audio converters and mic preamps, you can capture and hear every vocal, instrument, and sound performance in great detail. Plus, get ultra-low latency when tracking with Pro Tools | HDX or HD Native, enabling artists to perform at their best.  \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"linked-block-content-wrap\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"linked-block-content-wrap\"\u003eTake full monitor control, no need for a separate monitor controller. MTRX Studio covers this and your signal routing needs. Create monitor profiles and fold-downs to speed up your workflow. And toggle between multiple speaker sets directly from the included DADman software or your Avid control surface.\u003c\/div\u003e\n\u003cdiv class=\"linked-block-content-wrap\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"linked-block  reverse-order\"\u003e\n\u003cdiv data-was-processed=\"true\" class=\"linked-block-item lazy-background\"\u003e\n\u003cdiv class=\"linked-block-content-wrap\"\u003e\n\u003cp\u003eOptimize your monitoring environment with speaker calibration built directly into the interface - the same SPQ speaker processing technology available as an option for\u003cspan\u003e \u003c\/span\u003ePro Tools | MTRX - you can tune your room for any session format. Easily transition between music and audio post production, from mono to immersive audio.\u003c\/p\u003e\n\u003cp\u003eMix and monitor Dolby Atmos in any room. Have the I\/O channels, speaker processing, and monitoring control you need to support 7.1.4 and larger setups for Dolby Atmos mixing. Quickly calibrate speakers and tune any size and shape room to ensure an accurate monitoring environment, so you can mix with confidence.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection data-hover-color=\"black\" data-offset-bottom=\"3798\" data-offset-top=\"3235\" data-scrollspy-destination=\"Features-Wrapper-Section2\" class=\"content-section theme-light  clearfix jsBackground features-wrapper-section jsActiveBackground\"\u003e\n\u003cdiv class=\"main-content-column   features-wrapper-main-content-column clearfix\" id=\"Features-Wrapper-Section2\"\u003e\n\u003cdiv class=\"features-wrapper-main-content\"\u003e\n\u003cdiv class=\"features-wrapper-section-content\"\u003e\n\u003csection data-hover-color=\"black\" data-offset-bottom=\"3731\" data-offset-top=\"3300\" data-scrollspy-destination=\"Features-2\" class=\"content-section theme-light  clearfix jsBackground jsActiveBackground\"\u003e\n\u003cdiv class=\"main-content-column    clearfix\" id=\"Features-2\"\u003e\n\u003cdiv class=\"block-list-section\"\u003e\n\u003cdiv class=\"linked-block\"\u003e\n\u003cdiv data-was-processed=\"true\" class=\"linked-block-item lazy-background\"\u003e\n\u003cdiv class=\"linked-block-content-wrap\"\u003e\n\u003cp\u003eRoute audio extensively with 64 channels of Dante, plus the 512 x 512 matrix in DADman, you can route any MTRX Studio input to any output, expanding your workflow possibilities. Create easy cue mixes over Dante. Route between connectivity formats. Even send audio to multiple devices simultaneously.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"linked-block  reverse-order\"\u003e\n\u003cdiv data-was-processed=\"true\" class=\"linked-block-item lazy-background\"\u003e\n\u003cdiv class=\"linked-block-content-wrap\"\u003e\n\u003cp\u003eTake remote control of the interface. MTRX Studio is EUCON-enabled and delivers tight integration with\u003cspan\u003e \u003c\/span\u003ePro Tools | Ultimate, enabling you to control all audio sources, monitoring, and routing directly from any\u003cspan\u003e \u003c\/span\u003eAvid control surface. It eliminates manual tasks and physical patching, keeping you in your creative flow—and in your seat.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMic\/Instrument inputs 2 x 1\/4\"\u003c\/li\u003e\n\u003cli\u003eAnalog Line I\/O 16 x 16 (DB25)\u003c\/li\u003e\n\u003cli\u003eADAT I\/O 16 x 16\u003c\/li\u003e\n\u003cli\u003eDante I\/O 64 x 64\u003c\/li\u003e\n\u003cli\u003eDigiLink I\/O Two 32-channel DigiLink Mini connectors (64 channels total)\u003c\/li\u003e\n\u003cli\u003eDedicated monitor outputs 2 x 1\/4\"\u003c\/li\u003e\n\u003cli\u003eHeadphone outputs 2 x 1\/4\"\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"AVID","offers":[{"title":"Default Title","offer_id":32260904124510,"sku":"","price":5600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8134\/1022\/products\/mtrx1__82384-1579290306-1280-1280.jpg?v=1620124374"},{"product_id":"avid-pro-tools-mtrx","title":"Avid Pro Tools MTRX II","description":"The Avid Pro Tools | MTRX II is a powerful studio centerpiece that builds on the I\/O, routing, and monitoring versatility of its predecessor. With integrated DigiLink, Dante, MADI, and SPQ Speaker Processing, eight I\/O card slots, and 256 channels of optional Thunderbolt 3 connectivity, you can take on the largest music and audio productions with ease.\u003cbr\u003e\u003cbr\u003ePro Tools | MTRX II not only comes with 64 channels of built-in DigiLink I\/O, 256 channels of Dante, and 64 channels of MADI, it’s fully modular. Configure its eight card slots with all the analog, digital, and additional DigiLink, Dante, and other I\/O you need (the same option cards as MTRX) to support any artist, ensemble, or workflow. Add Thunderbolt 3 connectivity. Replace multiple single-format interfaces taking up rack space. Route any signal between different I\/O formats. And connect multiple HDX systems and DAWs together with a single interface.\u003cbr\u003e\u003cbr\u003eBuilding on the MTRX legacy, MTRX II delivers the cleanest, most transparent, and highly detailed AD and DA conversion of any audio interface. This enables you to capture vocals and acoustic instruments without any coloration—exactly as the sources sound—and then monitor your mix in all its sonic glory through some of the highest quality audio converters in the industry.\u003cbr\u003e\u003cbr\u003eWith integrated SPQ Speaker Processing, DADman Pro | Mon for monitor calibration and control, and the expanded 512 x 64 summing mixer, MTRX II will satisfy all of your monitoring needs. Calibrate your speakers to compensate for their acoustic response in any room with up to 16 filters per monitor channel. And get up to 128 channels of room correction, each with adjustable delay and filters, from stereo to multistem Dolby Atmos summing.\u003cbr\u003e\u003cbr\u003eWith 256 integrated Dante channels, you can connect your Pro Tools | HDX system to any Dante network—the industry’s preferred audioover-IP solution. Not only is Ethernet economical—especially where long cable runs are required—it allows for a more versatile bi-directional workflow that leverages your facility’s Ethernet infrastructure to route audio between multiple rooms and devices.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eConnect to Pro Tools, Core Audio DAWs, Avid control surfaces, and other studio devices with built-in I\/O and monitor calibration (or use it standalone): 64 channels of DigiLink I\/O; 256 channels of Dante I\/O; 64 channels of MADI I\/O; Word Clock I\/O; 128 channels of SPQ Speaker Processing\u003c\/li\u003e\n\u003cli\u003eCustomize the interface with all the I\/O you need—including mic\/line, Thunderbolt 3, AES3, and additional DigiLink, Dante, and more—through eight option card slots\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCapture audio in the highest sound quality with renowned DAD mic preamps and AD\/DA converters\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSet up a low-latency, 256-channel native Pro Tools or other DAW system with the Thunderbolt 3 option\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCalibrate and control MTRX II with the included DADman software and Pro | Mon Monitor Control\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRoute audio to any connected device across your facility with the 4,096 x 4,096 router\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eAccommodate a full theatrical Dolby Atmos configuration with the 512 x 64 summing mixer\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eTake remote control of all sources with Avid S6 and other EUCON-enabled control surfaces\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AVID","offers":[{"title":"Default Title","offer_id":32261142806622,"sku":"","price":7045.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8134\/1022\/products\/avid-mtrx-ii_187489_1.jpg?v=1681722181"},{"product_id":"avid-hd-i-o","title":"Avid HD I\/O","description":"\u003cdiv id=\"videoContainer\"\u003eGet pristine sound quality and clarity for your most demanding recording sessions. 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The 8424 stereo mix bus gives true voltage mixing into Marinair® transformers as found in the legendary Neve 80-series consoles, while additional features such as stereo insert, 2-band shelving EQ and Neve’s proprietary Stereo Width control give engineers, artists and producers all of the tools they need to create polished, professional recordings.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eConnecting:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eEach channel, group and stereo mix bus has its own switchable insert point, giving a level of connectivity to analogue outboard units only found on large-format consoles. 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These stages are ‘cushioned’ in this design allowing them to be used exploited in new ways.\u003c\/p\u003e\n\u003cp\u003eThe concept of the channel is to have a fluid interactive chain, where creative decisions can be made by immediately by turning controls and switches. Multiple stages distribute the rounding and harmonics, each with different characters. The HARMONICS stage at the end of the chain has MAS circuitry, and can ‘control’ peaks, and smooth harsh frequencies, allowing the equalizer for instance to be approached creatively and aggressively. 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Its class A design, transformer balanced topology, and 1073® modules delivered the ultimate in audio performance throughout the golden era of studio recording.\u003c\/div\u003e\n\u003cp\u003eWhen designing the modern BCM10\/2 Mk2, Neve® engineers painstakingly reverse-engineered the classic BCM10 console. No expense was spared when sourcing original components in order to deliver the legendary Neve sound heard on countless recordings spanning the past five decades.\u003c\/p\u003e\n\u003cp\u003eThe BCM10\/2 Mk2 introduces modern routing and monitoring options, bringing the console fully up to date for use in today’s most demanding studios, and its compact size allows this Class A legend to be housed in a premier home studio environment for artists and producers looking to access the legendary Neve sound.\u003c\/p\u003e\n\u003cp\u003eDesigned, manufactured, and assembled by hand in the UK, the BCM10\/2 Mk2 is the preeminent console choice for discerning Artists, Producers, and Engineers and is guaranteed to delight even the most demanding ear.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNeve classic sound using Class A topology\u003c\/li\u003e\n\u003cli\u003eConsole sizes: 10,16,24, 32 or 48 channels\u003c\/li\u003e\n\u003cli\u003e1073N microphone preamp and EQ module in each channel\u003c\/li\u003e\n\u003cli\u003eClassic voltage mixing using 1272 balanced mixing topology\u003c\/li\u003e\n\u003cli\u003e2x 500-series slots fitted with Neve 2264ALB compressors, patchable or selectable across the Mix Bus\u003c\/li\u003e\n\u003cli\u003eDirect outputs on every channel selectable pre or post channel insert\u003c\/li\u003e\n\u003cli\u003eSimple Input to each channel doubles the mix inputs when mixing and also allows monitor and cue mixes\u003c\/li\u003e\n\u003cli\u003e4x Auxes, 1x Stereo Cue, 1x Stereo Main Mix Bus\u003c\/li\u003e\n\u003cli\u003eStereo and 5.1 monitor with passive 24 position gold plated monitor level control\u003c\/li\u003e\n\u003cli\u003e3x Stereo \u0026amp; 1x 5.1 selectable loudspeaker output sets\u003c\/li\u003e\n\u003cli\u003eComprehensive Solo system with destructive and safe\/isolate modes\u003c\/li\u003e\n\u003cli\u003e2x Stereo reverb returns with width, mono and balance controls \u0026amp; 2x mono DI to bus inputs\u003c\/li\u003e\n\u003cli\u003eMain Mix output insertion selectable pre or post fade with IMR (Insert Mix Return) parallel processing controls\u003c\/li\u003e\n\u003cli\u003e25-way D-sub connectivity for easy installation into home or studio environments\u003c\/li\u003e\n\u003cli\u003eOptional side car stand on castors\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AMS Neve","offers":[{"title":"10 Channel Console","offer_id":32381870342238,"sku":"","price":0.0,"currency_code":"EUR","in_stock":true},{"title":"16 Channel Console","offer_id":32381870375006,"sku":"","price":0.0,"currency_code":"EUR","in_stock":true},{"title":"24 Channel Console","offer_id":32381870407774,"sku":"","price":0.0,"currency_code":"EUR","in_stock":true},{"title":"32 Channel Console","offer_id":32381870440542,"sku":"","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8134\/1022\/products\/Neve_BCM10_2_mk2.jpg?v=1620124239"},{"product_id":"ams-neve-genesys-black","title":"AMS Neve Genesys Black","description":"\u003cdiv id=\"videoContainer\"\u003eThe Genesys Black is a professional recording console where the classic Neve sound, meets the design and flexibility of modern techonologies.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eIt features 8 channels of 1073 mic\/line preamps, 16-channels DAW\/Tape monitoring, hands-on DAW control for Pro Tools, Nuendo and more, 8 channels of Neve digitally controlled analogue 4-band EQ, (optional) 8 channels of Neve digitally controlled analogue VCA dynamics and optional channel and monitor section A\/D\/D\/A conversion via MADI, AES and FireWire formats.\u003c\/div\u003e\n\u003cp\u003eA central touch screen, 6 auxiliary buses, 8 group buses, 2 main outputs, 4 effects returns, comprehensive metering, 5.1 monitoring, 2 cue mixes, talkback services and an integrated footprint with internal power supply provides all the power you need.\u003c\/p\u003e\n\u003cp\u003eThere’s a ‘classic Neve’ look and feel to the controls, but take a closer look and you’ll see they’re ultra modern too: every switch is ‘soft’. The benefits go far beyond letting you customize your set up to suit the way you work. It also means every routing decision and every switch setting can be saved and instantaneously reset. With the legendary sounding Neve analogue EQ and optional dynamics cassettes and you can instantly recall these settings too. 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In its basic 16-fader configuration you get 16 channels of mic\/line preamps plus 16 channels of DAW mixing and 32-channel analogue summing at mixdown. And eight auxiliary buses, and eight group buses. And 5.1 monitoring.\u003c\/p\u003e\n\u003cp\u003eThere’s a ‘classic Neve’ look and feel to the controls, but take a closer look and you’ll see they’re ultra modern too: every switch is ‘soft’. The benefits go far beyond letting you customize your set up to suit the way you work. It also means every routing decision and every switch setting can be saved and instantaneously reset. With the legendary sounding Neve analogue EQ and dynamics cassettes and you can instantly recall these settings too. Just think of the reconfiguration time that saves when you’re juggling multiple projects in your studio.\u003cbr\u003e\u003cbr\u003eThe GenesysControl Plugin is a DAW plugin for the Neve Genesys and Genesys Black consoles, giving DAW users the ability to connect to and control the console’s analogue hardware and also automate the EQ and Dynamics processing parameters, fader levels, channel strip settings and more.\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"AMS Neve","offers":[{"title":"G32 (32 input, 16 fader)","offer_id":32382560108638,"sku":"","price":51300.0,"currency_code":"EUR","in_stock":false},{"title":"G48 (48 input, 24 fader)","offer_id":32382560141406,"sku":"","price":67450.0,"currency_code":"EUR","in_stock":false},{"title":"G64 (64 input, 32 fader)","offer_id":32382560174174,"sku":"","price":83600.0,"currency_code":"EUR","in_stock":false},{"title":"G96 (96 input, 48 fader)","offer_id":32382560206942,"sku":"","price":117350.0,"currency_code":"EUR","in_stock":false},{"title":"G128 (128 input, 64 fader)","offer_id":32382572134494,"sku":"","price":151100.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8134\/1022\/products\/neve-genesys-console.jpg?v=1620124238"},{"product_id":"api-1608-ii","title":"API 1608-II","description":"\u003cp\u003eThe 1608-II is the updated version of the original 1608 console, launched in 2008.\u003c\/p\u003e\n\u003cp\u003eEquipped with an updated feature set and debuting API's new cross-platform Final Touch AutomationTM system, the 1608-II continues API's rich legacy of crafting the world's highest-quality analog recording consoles. Adding valuable features for today's Engineers, Producers and Musicians, the 1608-II provides the powerful reliability and the incredible API sound that has characterized API products for nearly 50 years.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDerived from API's Vision Automation System used extensively in the Vision, Legacy Plus and AXS consoles, API now offers optional Final Touch Automation fader automation for the 1608-II console. Final Touch Automation combines system reliability, user flexibility and operational simplicity and offers a host of features found only in the most expensive and sophisticated console automation systems typically costing many times more. Consoles can be factory-fitted with Final Touch Automation prior to delivery, and existing 1608-II consoles can be retrofitted with Final Touch Automation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e16, 32, or 48 Input Channel Frame sizes\u003c\/li\u003e\n\u003cli\u003eEach channel equipped with Mic Pre and Equalizer\u003c\/li\u003e\n\u003cli\u003eAccepts API 500 Series Equalizers\u003c\/li\u003e\n\u003cli\u003e8 Multitrack Buses\u003c\/li\u003e\n\u003cli\u003e8 Auxiliary Buses\u003c\/li\u003e\n\u003cli\u003e1 Stereo Bus\u003c\/li\u003e\n\u003cli\u003e4 Stereo Returns, 100mm faders (manual or automated) with Multitrack and Stereo Bus assign\u003c\/li\u003e\n\u003cli\u003eFull Center Section Control\u003c\/li\u003e\n\u003cli\u003eSurround 5.1 Center Section Monitoring\u003c\/li\u003e\n\u003cli\u003eClassic Analog Metering\u003c\/li\u003e\n\u003cli\u003eGlobal 0dB Fader Bypass\u003c\/li\u003e\n\u003cli\u003eComprehensive Rear Panel IO Connectivity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eThe standard fit of\u003c\/strong\u003e \u003cstrong\u003ea\u003c\/strong\u003e \u003cstrong\u003e1608-II Console is:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e16x \u003cmeta charset=\"utf-8\"\u003e548B Inputs with Mic\/Line and Direct Output\u003c\/li\u003e\n\u003cli\u003e12x 550A Equalizers\u003c\/li\u003e\n\u003cli\u003e4x 560 Equalizers\u003c\/li\u003e\n\u003cli\u003e8x Echo Returns\u003c\/li\u003e\n\u003cli\u003e1x Complete Center Facilities Section\u003c\/li\u003e\n\u003cli\u003e16x Manual Faders\u003c\/li\u003e\n\u003cli\u003e1x Stereo Fader\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"API Audio","offers":[{"title":"16 Inputs","offer_id":32382614470750,"sku":"","price":0.0,"currency_code":"EUR","in_stock":false},{"title":"32 Inputs","offer_id":32382614503518,"sku":"","price":0.0,"currency_code":"EUR","in_stock":false},{"title":"48 Inputs","offer_id":32382614536286,"sku":"","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8134\/1022\/products\/sc_1608II_001.jpg?v=1620124263"},{"product_id":"api-the-box","title":"API The Box","description":"\u003cp\u003eThe API The Box is small format console that features the brand's signature analog sound and performance, usually associated with their large format consoles like the Vision and the Legacy AXS. 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Most importantly, The Box offers the legendary API sound in an efficient, cost-effective package.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eEight (8) input channels with Mic Preamp, Line Input and Hi Pass Filter\u003c\/li\u003e\n\u003cli\u003eEight (8) 500 Series slots (1 per input channel)\u003c\/li\u003e\n\u003cli\u003eDirect Out on Input Channels\u003c\/li\u003e\n\u003cli\u003eOn-Board Stereo Bus Compressor w\/ ability to assign to program bus or input channels 1-4\u003c\/li\u003e\n\u003cli\u003eInstrument Direct Inputs on channels 1-4\u003c\/li\u003e\n\u003cli\u003eSixteen (16) summing channels (24 channels during mix)\u003c\/li\u003e\n\u003cli\u003e0dB bypass switch for each summing channel\u003c\/li\u003e\n\u003cli\u003e4-Segment LED Metering on each summing channel\u003c\/li\u003e\n\u003cli\u003eStereo program bus with master fader, insert, and external input\u003c\/li\u003e\n\u003cli\u003eOne (1) stereo and (2) mono auxiliary sends\/buses\u003c\/li\u003e\n\u003cli\u003eStereo cue send\/bus \u0026amp; headphone system\u003c\/li\u003e\n\u003cli\u003ePFL, AFL, and Solo-In-Place solo modes with stereo solo bus\u003c\/li\u003e\n\u003cli\u003eFull-featured monitor section that supports two stereo monitor systems\u003c\/li\u003e\n\u003cli\u003eTalkback system\u003c\/li\u003e\n\u003cli\u003eComprehensive rear panel connections with balanced inputs and outputs\u003c\/li\u003e\n\u003cli\u003eIntegrated power supply\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":32382629511262,"sku":"","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8134\/1022\/products\/scbx2019_006.jpg?v=1620124284"},{"product_id":"api-2448","title":"API 2448","description":"\u003cp\u003eThe 2448 is the culmination of over 50 years in audio innovation that combines functionality and reliability with the classic warmth that is the API sound.\u003c\/p\u003e\n\u003cp\u003eDesigned to the same standard of excellence as the 1608, Legacy AXS and Vision consoles, API proudly announces the debut of the new 2448 Recording Console. The 2448 offers a powerful and impressive feature set including Dual Inputs on each channel, Stereo Returns and optionally, API's new cross-platform Final Touch AutomationTM fader automation system. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDerived from API's Vision Automation System used extensively in the Vision, Legacy Plus and AXS consoles, API now offers optional Final Touch Automation fader automation for the 2448 console. Final Touch Automation combines system reliability, user flexibility and operational simplicity and offers a host of features found only in the most expensive and sophisticated console automation systems typically costing many times more. 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With custom transformers coupling every single input and output (including the inserts), the sweet musical performance and bulletproof isolation expected from a Rupert Neve design are assured: there is not a single compromised signal path in the entire console. For signal amplification and control, all new, high voltage, discrete op-amp cards have been developed specifically for the 5088 that eliminate crossover distortion while offering extended headroom, dynamic range, and frequency response.\u003c\/p\u003e\n\u003cp\u003eThe 5088 is a culmination of Mr. Rupert Neve’s vast analogue circuitry knowledge. As his first fully discrete mixing design in over 30 years, the 5088 incorporates and improves upon many of the same concepts, such as the single-sided, fully discrete amplification and complete transformer isolation that made his original designs so revered – except unlike many of those aging classics, maintenance is no longer a full time job.\u003c\/p\u003e\n\u003cp\u003eTo stay current in the recording business you must be able to continuously adapt your environment to the needs at hand. Because the 5088 is completely modular, channel strips and Shelford processing modules like EQ, microphone preamplification and dynamics can be added or removed to meet constantly changing demands and eliminate the massive redundancies of consoles from yesteryear. If you don’t need it, your console doesn’t need it either.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cstrong\u003e16 Channel configuration includes:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1x 5088 16 Channel Master - Shelford\u003c\/li\u003e\n\u003cli\u003e1x Penthouse, 25 Position Main\u003c\/li\u003e\n\u003cli\u003e1x Meterbridge, Main, 24 Channel VU - Shelford\u003c\/li\u003e\n\u003cli\u003e16x 5052 Shelford Mic Pre\/ Inductor EQ\u003c\/li\u003e\n\u003cli\u003e1x 5051\/5052 Shelford Power Supply (Up to 25 units)\u003c\/li\u003e\n\u003cli\u003e9x Penthouse Blank Panels - Shelford\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e32 Channel configuration includes:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1x 5088 16 Channel Master - Shelford\u003c\/li\u003e\n\u003cli\u003e1x 16 Channel Expander\u003c\/li\u003e\n\u003cli\u003e1x Penthouse, 25 Position Main\u003c\/li\u003e\n\u003cli\u003e1x Penthouse, 16 Position Expander\u003c\/li\u003e\n\u003cli\u003e1x Meterbridge, Main, 24 Channel VU - Shelford\u003c\/li\u003e\n\u003cli\u003e1x Meterbridge, Expander, 16 Channel VU - Shelford\u003c\/li\u003e\n\u003cli\u003e32x 5052 Shelford Mic Pre\/ Inductor EQ\u003c\/li\u003e\n\u003cli\u003e1x 5051\/5052 Shelford Power Supply (Up to 25 units)\u003c\/li\u003e\n\u003cli\u003e1x 5051\/5052 5 Way Power Supply\u003c\/li\u003e\n\u003cli\u003e9x Penthouse Blank Panels - Shelford\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e48 Channel configuration includes:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1x 5088 16 Channel Master - Shelford\u003c\/li\u003e\n\u003cli\u003e2x 16 Channel Expander\u003c\/li\u003e\n\u003cli\u003e1x Penthouse, 25 Position Main\u003c\/li\u003e\n\u003cli\u003e2x Penthouse, 16 Position Expander\u003c\/li\u003e\n\u003cli\u003e1x Meterbridge, Main, 24 Channel VU - Shelford\u003c\/li\u003e\n\u003cli\u003e1x Meterbridge, Expander, 16 Channel VU - Shelford\u003c\/li\u003e\n\u003cli\u003e48x 5052 Shelford Mic Pre\/ Inductor EQ\u003c\/li\u003e\n\u003cli\u003e2x 5051\/5052 Shelford Power Supply (Up to 25 units)\u003c\/li\u003e\n\u003cli\u003e9x Penthouse Blank Panels - Shelford\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":32386280095838,"sku":"","price":60000.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8134\/1022\/products\/5088shelfordstraight.jpg?v=1620124842"},{"product_id":"chandler-limited-curve-bender","title":"Chandler Limited Curve Bender","description":"\u003cp\u003eThe Chandler Limited Curve Bender is an equalizer issued in celebration of the 75th birthday of Abbey Road Studios, based on the vintage EMI TG12345 desk  \u003c\/p\u003e\n\u003cp\u003eIt was conceived by Chandler Limited designer Wade Goeke, continuing the tradition of EMI EQs like the 1954 RS57, the 1969 TG12345, and the 1974 TG12412. Wade turned the nine selections of the vintage version into 51 EQ points plus a multiply switch that increases the cut\/boost up to ±13.5dB (as well as sharpening the Q), filters and bell\/shelf selections on the high and low bands.\u003cbr\u003e\u003cbr\u003eSetting the multiplier toggle to x1 provides 0.5dB steps for a total of ±5db of boost\/cut per band. Setting the multiplier toggle to x1.5 provides a total of ±13.5db of boost\/cut per band. The master L\/R output switches are always ±0.5db steps for a total of ±5db of boost\/cut.\u003cbr\u003e\u003cbr\u003eAll TG units require and function on the PSU-1, Chandler Limited power supply (\u003cstrong\u003enot included\u003c\/strong\u003e). The PSU-1 has an internal switch for setting voltage to 120V or 220V (115V\/230V)\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":32393801990238,"sku":"","price":7730.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8134\/1022\/products\/TG12345_PSU__70149-1415724378-1280-1280.jpg?v=1620124438"}],"url":"https:\/\/ardasuppliers.com\/en-ee\/collections\/_pricehidden.oembed?page=4","provider":"Arda Suppliers","version":"1.0","type":"link"}